In the brief history of Wake-Up Video, there have been an inordinate number of dedications to space exploration. But music and science have often been linked, and why not? The best music should explore new ideas and ask questions, which is exactly what Galileo Galilei was doing on August 25, 1609, when he first showed off his latest creation: a telescope. The Italian scientist had improved upon previous designs that allowed him to observe the solar system. Galileo became the first person to track the phases of Venus, discovered several moons of Jupiter and made the first observations of sunspots. His work wasn't limited to space, either, as his explorations of kinematics lead to the study of modern physics and was one of the first to hit upon an accurate explanation of tides. Like most great thinkers, Galileo was persecuted for his ideas, especially his attachment to the concept of the Earth revolving around the sun (the dominant opinion at the time still held that the Earth was the center of the universe).

Sadly, the musical tributes to Galileo amount to little more than a song by the Indigo Girls and, of course, a legendary reference in Queen's "Bohemian Rhapsody." A most unorthodox hit single, "Bohemian Rhapsody" runs a full six minutes and doesn't have a real chorus, but incidentally made prog rock more palatable for a popular audience. Originally released in 1975, it had a second life in 1991 following Mercury's death and then a third life when it was featured in the feature film "Wayne's World." It's uncertain why Mercury used Galileo's name in his lyrics, but it's a memorable moment nonetheless.

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On last night's episode of "The Tonight Show," host Conan O'Brien welcomed actor, musician and "America's Got Talent" host Nick Cannon to the program. During his interview, Cannon spent most of the time explaining to O'Brien how he first got together with wife Mariah Carey. "I always say I spoke our relationship into existence," Cannon told the host. "Being an entertainer, they always ask who your celebrity crush is, and I would always say Mariah Carey." Cannon said he first met her at an awards show, then didn't hear from her for a few years until he was contacted about appearing in one of Carey's videos. "First they asked me to be in 'Touch My Body.' The director wanted somebody funny, but when they told me the concept and about the '80s nut-hugger shorts, I passed," Cannon said, noting that the role he was asked to play eventually went to "30 Rock" star Jack McBrayer.

His relationship wasn't the only thing he willed into existence, as Cannon's relationship with President Barack Obama was also the result of his powerful mind. "I was on the campaign trail speaking on the President's behalf, and I had some time with him back stage one day. He told me, 'Thanks so much for doing this,' and I said 'Any time. When you win, just let me be the DJ for the inaugural party,'" he said. "I was just joking, but then I got the call." Cannon said he played Stevie Wonder, Kanye West and "'Copacabana' for the white folks. That's the joint — white people go crazy when that song is on."

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The British are an open-minded people when it comes to music, but they do not have a long history of embracing American country music. But over the weekend, they threw their doors open for Taylor Swift, who crossed the Atlantic to play two sets at the V Festival in Chelmsford and South Staffordshire in England. While on her trip, she made a few stops in London to Radio 1 for a handful of promotional interviews, where she was again embraced by the British music elite. It's a testament to Swift's abilities both as a songwriter and a performer that she has transcended the traditional yoke of country music to become an international superstar.

She wasn't the only celebrity who spent her weekend on the road, as Britney Spears arrived in New York City to catch a Broadway show before her three-night stint at Madison Square Garden (which starts tonight, so stay tuned to MTV News for wall-to-wall coverage of Spears' mini-residency at the World's Most Famous Arena). Robert Downey, Jr. also found himself in the midst of foreigners as he too traveled to England to promote the upcoming film "Sherlock Holmes" with Jude Law. Click here for all these photos, as well as the complete "Spotted!" archive featuring photos of Beyoncé, Madonna, Lady Gaga and dozens more!

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"We showed two new scenes, and each one focused on abdominal muscles. That was the high point, I think, for the audience. I know for a lot of people there's no such thing as too much Rob. But we've got a nice dose of Taylor to sweeten any Rob deficiencies. It is a disease that can only be treated with Vitamin T, for Taylor."

-"New Moon" director Chris Weitz on debuting two scenes from his entry in the "Twilight" saga (both of which were endorsements for his two male stars' workout regimens) at Comic-Con and dealing with the fact that heartthrob Robert Pattinson's character is largely absent from the series' second book. "You'll see quite a lot of Rob in the film, but it's seen subjectively, through Bella's eyes," he explained to MTV News as part of this week's Fall Movie Preview. "It's also in dreams that she has of him as well. It strikes this very fine balance between too much Rob and too little Rob." Weitz, the director of "About a Boy" and "The Golden Compass," took the reigns of the series from "Twilight" director Catherine Hardwicke (and has handed them off to "30 Days of Night" helmer David Slade). "The Twilight Saga: New Moon" hits theaters on November 20, but you can stay tuned to MTV Movies and Hollywood Crush for previews, updates and insights.

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By Gigi Abrantes

Since he first dropped his debut album in 1996, Jay-Z became an instant classic on the hip-hop scene. Now that he is about to drop his 11th album The Blueprint 3, MTV News takes a look back at the history of one of the greatest artists in rap history with The J to Z of Jay-Z.

For the past 13 years, Jay-Z has produced phenomenal hit after phenomenal hit, from "Hard Knock Life (Ghetto Anthem)" and "Big Pimpin'" to "Izzo (H.O.V.A.)" and "99 Problems." Whether his abilities are genetic or learned through years of training, his success proves that Hova has no problem marrying the gritty truth of the streets with hooky, soulful beats — a feat many MCs have attempted and failed. In an MTV News television interview conducted back in 1998, Jay-Z discussed his earliest influences, which came from his parents' vinyl collection.

But putting aside his musical talents and successful ventures as an artist and a producer, he has also showed remarkable prowess as a businessman. According to the U.S. Small Business Administration, over 50 percent of small businesses fail in the first five years. But in 1996, Jay-Z co-founded Roc-A-Fella Records, which in addition to releasing the CEO's albums also put out smashes by Memphis Bleek, DJ Clue and Beanie Siegel. So, what does a guy from the Marcy Houses know that other businessmen don't? Perhaps it's his application of his experiences on the street to big business. In this interview with MTV Radio in 1999, Jay-Z broke it down and described the grassroots effort and the instinct needed to launch his own independent record company and release his first album.

Today, Roc-A-Fella sits in transition. Though the label has put out many more hit albums, Jigga's huge deal with Live Nation puts the future of the label in doubt. But no matter what, it's certain that Jay will continue to be as sharp in the boardroom as he is in the recording studio.

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Last night on the broadcast of the Miss Universe pageant, MTV star Heidi Montag took her next step toward building her career as a pop singer. Montag performed her new single "Body Language" during the show, and she brought a fully-choreographed (albeit lip-synched) show to the Bahamas for her television debut. The performance received mixed reviews, though there's no denying the hook of the song, which borrows a sample from Yaz's 1982 hit "Situation."

But now that MTV has weighed in on Montag's performance, it's time to turn to the fans and find out what the public thinks of the song and dance at last night's show. So we hit the streets in Times Square to talk to a handful of people (including a few standing in line to see Montag's sister-in-law Stephanie Pratt on today's episode of "It's On with Alexa Chung") and asked them their opinion.

These results are nowhere close to scientific, but the numbers show that 83 percent of the respondents gave the whole package a thumbs down. The reasons were all over the map, too. Some simply didn't like the tune, while others were thrown by her dance choices. And more than one person brought up the fact that her outfit resembled one that Britney Spears wore at the MTV Video Music Awards back in 2000. Still, the 17 percent who endorsed Montag's show cited her beauty and her charisma as reasons to love the budding pop star. Regardless, Montag is just letting the criticism roll off her back.

What do you think: Did Montag steal the show, or did she spoil it? Leave your comments below or head over to Your.MTV.com to make your voice heard!

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Today marked the premiere of Asher Roth's video for "She Don't Wanna Man," the latest clip from his smashing debut album Asleep in the Bread Aisle. The song and video features a guest spot from Keri Hilson, who is rapidly becoming one of the best guest stars in music. While Rihanna may have grabbed the most recent headlines with her hook in Jay's "Run This Town," Hilson has quietly built her resumé. In "She Don't Wanna Man," Hilson plays the titular girl who is only in the club to dance. Her silky smooth delivery on the hook combined with her offbeat sexiness makes for an ideal guest spot. Even though she's only in charge of the chorus, she totally takes over the song, which is no easy feat in the presence of an MC as charismatic as Roth.

But the Roth video is only the latest in her series of scene-stealing performances. Check out the video for Kardinall Offishall's "Numba 1 (Tide Is High)," in which Hilson coos the hook (a sample of "The Tide Is High," a reggae song made popular by Blondie) and gyrates in her off-beat manner. Once again, she totally jacks the clip from Kardinal, a lively performer in his own right.

But the best Hilson drop-in is in the video for Fabolous' "Everything, Everyday, Everywhere." Again, Keri delivers the hook with a rugged sweetness and does little more than give the camera a thumbs-up, but she is so endlessly compelling that she steals the entire four minutes. She's got an easy sexiness, but there's also a sense of danger to her. Plus, she's got great hair. Of course, Hilson's own songs are phenomenal (especially "Knock You Down"), but the best way to grab some attention and give your track (and video) some attention is to sign Hilson up. Take note, MCs.

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Believe it or not, I have never seen Britney Spears in concert. Sure, I have seen the Backstreet Boys and even begrudgingly saw 'NSYNC, but I have never, ever seen the pop princess herself live on stage dancing and singing her way through some of her most classic and choice tunes.

So in order to prepare myself for the show tonight at Madison Square Garden, I asked some of my work colleagues here at MTV News who had the chance to see her on her "Circus" tour the first time around what they think I should expect from the show. Each of them gave me some interesting tidbits of information.

Ashley Mastronardi, who attended the show in Pittsburgh in March, told me, "Britney looks great, but she is not at her 'Slave 4 U' peak (she doesn't dance as much as she has in the past). But this show proves what a star she is because although her dancers pick her up a lot and wheel her across the stage, the audience still went crazy for her. Her star power really shines through."

James Montgomery, who loves to keep his advice short and sweet (which is ironic because in real life he is neither short nor sweet) had the lucky chance to see her on her opening night in March in New Orleans: "Three words: "Expect the gays."
Read More...

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By Steven Roberts

Working on Sunday sucks. For one, it's supposedly a day of rest. You should be out at the park, enjoying Sunday brunch or lying in your bed watching sports while you recover from your hangover. Worst of all is that you know the next day is Monday — the official start of the work week — and you have five more days of this. So as I stood in a torrential downpour in the middle of the Wall Township Speedway in South Belmar, New Jersey yesterday, I thought to myself, "This could be worse."

I'll backtrack a little. I was asked on Thursday if I wanted to interview Queen Latifah, and I said "Yeah," because it's Queen Latifah. I just didn't hear the part where my boss said "… interview Queen Latifah this weekend."

But I thought "Whatever, it's Queen Latifah." And then I found out the interview would take place at her video set in south Jersey, and I thought I should really stop saying yes to everything so quickly. But once my cameraman Joel and I arrived, it was actually pretty awesome.

As we drove up to the set, we saw it was a racetrack with Ford Mustangs racing around. We made our way to the center of the track, and Robin Thicke walked past us to go hop in to drive a blood red car. Common arrived a little while later to drive a cobalt blue one. We grabbed interviews with both guys, who spoke excitedly about getting the opportunity to drive on the track. They were just there to show love to Latifah, whom they described as good friend.

The day was going smoothly. Video set visits can take forever because artists have a commitment shoot their video, and we grab them when can, in between takes or during breaks. But after Queen Latifah finished shooting her first scene, she came over to us for her interview. However, just as she was getting her makeup touched up, the sky opened up.

News reports all weekend had said that Hurricane Bill wouldn't hit the Northeast all that badly, but an hour later we were huddled up under Latifah's tent with about 10 of her people as the water continued to rise. They sang, danced and joked around, which helped pass time, and she even went out of her way to make sure we grabbed an interview later on.

The racetrack was below sea level, so the more it rained the more we became worried about all the electrical cords that surrounded us. I didn't get electrocuted, so it could've been much worse. Thankfully, I'm here to write about it ... on a Monday.

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By Jett Wells

If you want to know how well a Girl Talk show went, you need only ask when it fell apart. Sunday's (August 23) show peaked early. By the time mash-up phenom Greg Gillis launched into his third song, the crowd had already trampled the barricade and ransacked the stage at the Williamsburg Waterfront.

From every vantage point, there were flailing body parts, sweat-drenched faces and tumbling body surfers. After hours of shoving, pushing, jumping, air-humping and fist-pumping, the crowd screamed and let out a huge breath of air and walked their limp bodies home in the rain.

Even though his live show is little more than a dude from Pittsburgh with a laptop, Gillis' intensity is undeniable. He started the concert dry-headed and wearing a sweatshirt, but by the end of the set he was half-naked and completely soaked in his own sweat. By then, Gillis was just another dude in the crowd, as the audience had long since rushed the stage to join the party next to Gillis. Halfway through the set, the music stopped suddenly because the crowd had pulled out some cords. 10 minutes later, the music stopped again because the stage was falling apart from all the weight of the dancing fans.

"You guys broke the stage!" Gillis yelled.

Perhaps the most overlooked virtue about Girl Talk concerts is that his mash-ups are always different. Most of the samples are the same, but the combination constantly changes and he's always adding new ideas. On Sunday, Gillis dipped into new hits like Drake's "Best I Ever Had" and Lady Gaga's "LoveGame."

Though the show ended with violent dancing and rain, everybody still walked away smiling. Such is Gillis' trick: He plays songs you already know in a no-frills setting, and somehow he remains transcendent.

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