Last night, "Michael Jackson's This Is It" premiered simultaneously in 17 cities around the world, and MTV News writer Eric Ditzian was on hand at the New York premiere to get a first look at the film. From over 100 hours of footage, director Kenny Ortega brought together a 105-minute feature that traced all of the steps on the road to Jackson's planned "This Is It" shows, from initial conception to auditions to rehearsals. You can read Ditzian's entire recap of "Michael Jackson's This Is It" here, but one thing that especially stands out is this passage: "The picture that emerges of Michael Jackson is of a stubborn visionary who never loses his sense of humor. He's a perfectionist who knows what he wants and is loath to compromise. He also seems reluctant to admit when he's in the wrong, as with a humorous incident when he seems to forget the lyrics to a Jackson 5 song and instead blames a faulty earpiece."

If there's one thing that collaborators and friends always said about Michael Jackson, it's that he had an unbelievable work ethic and was a staunch perfectionist. The film seems to focus on establishing that as his legacy, and that like many geniuses he was sometimes undone by his demand for constant excellence. And yet despite his workhorse tendencies, he was clearly a joy to work with, as the film offers a look at his infectious energy. As Ditzian puts it, the film creates "a glowing portrait," leaving out any of the unpleasantness that has followed Jackson's death. But it seems less like a trick of editing and more like a tribute to the thing that clearly dominated the end of the King of Pop's life: The need to deliver one final, stunning performance that would be a lasting memory. "Michael Jackson's This Is It" is not what he intended, but it seems like it comes awfully close.

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After the flash of last week's Michael Jackson tribute, this week's episodes of "Dancing with the Stars" couldn't help but be a bit of a letdown. Everyone seemed strangely subdued this week (perhaps they were all exhausted from Kelly Osbourne's birthday party?), and even the best performers seemed a little bit off. Two dancers got sent home this week: Snowboarder Louie Vito (who probably should have been sent away weeks ago) and actress Melissa Joan Hart (who had improved dramatically over the course of the past few episodes but stumbled this week). Somehow, Michael Irvin will live to dance another day, but he's been on the brink for nearly a month at this point. There must be oodles of Dallas Cowboys fans flooding the fan voting every week, because though Irvin's dancing isn't completely disastrous, he probably should have shuffled off already.

As for the upsides this week, Mya obviously stayed dominant, which is almost getting a little boring. She managed to get a strong challenge this week from Joanna Krupa, who was this week's high scorer and provided an interesting curveball to this batch of shows. This week also saw a nice little resurgence from Aaron Carter, who overcame a few rounds of doldrums to really lay down a great performance on Monday night's show. It still seems like the finals will come down to Mya and Carter, though now Krupa has established herself as a major player. (Meanwhile, the 90-and-over crowd keeps Donny Osmond trucking, even though the judges have totally overrated him.)

Last night's musical guest was Taylor Swift, who performed two songs and has been on so many shows lately that it has become pretty obvious that she can bi-locate. Next week's show will feature some sort of costume element, and the fight for survival will be between Irvin and Osbourne, who danced well this week but is running out of inferior people to finish in front of.

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The wait is finally over, and right now, fans all over the world are enjoying "Michael Jackson's This Is It," the hotly-anticipated concert film culled from over 100 hours of footage left behind by the late pop superstar. Though windy conditions threatened to whisk away all of the sequin-gloved revelers at the red carpet premiere in Los Angeles, it didn't stop hardcore Jackson fans from coming out to support the fallen icon. Will Smith, Jennifer Lopez, Adam Lambert, Paula Abdul and David Cook all turned out to support the film and glad-hand with spectators, press and Jackson family members. Everyone had something to say in support of the King of Pop.

"Michael wasn't afraid of just being himself," said Lambert. "Michael didn't conform to one style of music. He did his own thing. That's the thing that makes me tick."

Abdul's connection to Jackson was more personal, as she was a choreographer for the Jacksons on their 1984 Victory tour. "There were so many memorable moments," she told MTV News. "I was still a [Los Angeles] Laker girl and I was summoned to work with the brothers. I was 18 years old and I got to see entertainment at its finest. [I learned that] you're only as good as the last thing you've done. He was just amazing."

As for the movie, the first reviews should be hitting the street soon, but if the clips we've seen so far are any indication, the film will not only be a stunning piece of art but also a fitting epitaph for Jackson (though it almost certainly won't be the last). Follow the jump for an exclusive clip of Jackson performing "Wanna Be Startin' Somethin'" — one of his signature hits — in "Michael Jackson's This Is It."

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Adam Lambert revealed his album cover for "For Your Entertainment" and it’s as spectacularly over-the-top and jaw-dropping as his memorable “American Idol” performances. The dude is a walking water-cooler conversation. And by golly, he’s done it again.

In the Tweet that linked to the cover, Lambert wrote, “Glam is back!!!” Judging from this album art, however, I don’t know that I’d say it’s back so much as hanging out at the mall Glamour Shots kiosk. (Will this eye-catching retro look help sell albums? We'll find out when it lands in stores November 23.)

The thing is, “American Idol” has a long history of eyebrow raising album covers. Read More...

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In this age of digital music, it's unusual for a major artist to take her cover art so seriously. But Rihanna clearly has a stake in how she appears on the covers surrounding her new album, Rated R. The cover of the single "Russian Roulette" was already unveiled last week, and it cast Rihanna as a badass sorta-pirate bound by barbed wire. Today she revealed the proper album cover for Rated R. It's a black-and-white image that retains her new "R" logo and shows her covering her right eye (the same eye blackened by Chris Brown back in February). The image, shot by fashion photographer Ellen von Unwerth (who has also worked with Britney Spears and Janet Jackson) is everything that makes Rihanna interesting: sparse, slightly futuristic and gorgeous.

But what do the fans think? We sent an MTV News crew to a rainy Times Square today to gather some reactions, and the results were decidedly mixed.

Many people saw the correlation between the covered eye and the altercation with Brown, but many more just seemed hyper-aware of the more "adult" vibe. "She looks quite scary and somewhat intriguing," one respondent noted.

"I like it, but it's a little dark," another added.

Based on "Russian Roulette" and now this album cover, it seems like there will be more musical comment coming from Rihanna about Brown. Rated R hits the streets on November 23.

What do you think: Is Rihanna's album cover a beauty or a beast? Leave your thoughts in the comments or head over to Your.MTV.com to make your voice heard!

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"When I was doing her video with her, she called me and she said, 'What do you want to do?' And I'm like, 'I don't want to show up in some frickin' hair bow and be fashion Gaga in your video.' I said, 'I want to do you.'"

-Lady Gaga, discussing her recent video shoot with Beyoncé for B's new single "Video Phone." Gaga told New York radio station Z100 that she really wanted to appear in the video as her own version of the R&B superstar. "I want to do my version of Beyoncé," she said. "So the whole time I was learning the choreography they were calling me Gee-yoncé." Gaga also alluded to another collaboration between the two, thought it was unclear whether it was for the upcoming The Fame: Monster (the expanded edition of her debut album) or her second album.

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The David Archuleta outtake chronicles continue!

One of the fun things I learned about the "American Idol" star during our Christmas carol extravaganza is that he is ceaselessly curious. When he wasn't stopping to look at every single bulletin board or framed poster hanging on MTV's walls, he would turn the tables and casually interview me. "Know any good New York City restaurants? What music are you listening to these days? What kind of bird do you have?" (Long story.)

But this line of questioning was my favorite from the day, if only because it sparked us having a brief chat about recent "Idol" rocker, Allison Iraheta.

If you remember, Simon Cowell went out of his way to knock Allison's personality during her "Idol" journey. Despite the fiery-haired rocker delivering some of the best vocals of the season — and displaying more authenticity than any other teenage "Idol" contestant — the cranky Brit would go on and on about how he didn't think she was appearing particularly likable. This insane, illogical and frustratingly recurring talking point led to several angry fist pumps from my living room couch.

Clearly, David Archuleta is on Team Allison with me. His face lit up when he talked about how much "personality and spunk" she has. And when I brought up how adorable it was when she jumped out of her "bottom three" chair to give him a hug when he showed up during an episode, Archuleta smiled and — dare I say it? — blushed.

Cue the "Awwwwwws!"

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Justin Bieber already has two hit singles in "One Time" and "One Less Lonely Girl," and yesterday he unleashed his latest track (and the first that doesn't include the word "One"). "Love Me" is a widescreen club track that is full of bubbly synths and Bieber's now-signature croon. It quickly launched itself into the top 20 on the iTunes Top Songs sales chart, certainly thanks to Bieber's relentless tweeting. "Just woke up in sunny L.A. and 'Love Me' is #11 on iTunes," he wrote this morning. "Let's go to #1!"

If the chorus sounds familiar, that's because it's lifted from a classic tune by the Cardigans called "Lovefool." The Swedish band scored a massive international radio hit with the song back in 1996, when it appeared on the soundtrack to the Baz Luhrmann film "William Shakespeare's Romeo + Juliet." (It also had an iconic video that was in heavy rotation on MTV.) The song appeared on the band's second album First Band on the Moon, which became their biggest commercial success (at least in this country). The Cardigans are still together and remain massive in their home country.

As for Bieber, he is gradually building momentum for the release of his full-length debut My World, which hits stores on November 17. It will contain the already-released tracks "One Time," "One Less Lonely Girl" and "Love Me," as well as the tune "Favorite Girl" (which is coming to iTunes next week). Next week, he'll go on a five-city tour of Canada to promote his new record, and he'll also open for Taylor Swift when she plays two dates in England at the end of November.

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"Michael Jackson's This Is It" premieres tonight worldwide. The film will finally reveal exactly what the King of Pop was working on before his tragic death prevented him from performing his planned 50-date residency at London's O2 Arena. But "This Is It" isn't the only Jackson-related event kicking off this week, as "Michael Jackson: The Official Exhibition" opens in London, just a stone's throw away from the arena that was supposed to host the concerts. The collection features a staggering collection of some of Jackson's most famous costume pieces, props and personal possessions, including a mock-up of the "This Is It" set, a collection of jewelry and a selection of bejeweled gloves. But by far the best item featured is one of Jackson's robotic heads from "Moonwalker."

The Michael Jackson robot (not to be confused with the one he planned on unleashing in Las Vegas) was featured in the main story in "Moonwalker," which saw Jackson save three children from Mr. Big (played by Joe Pesci). Just as he is about to be killed by Mr. Big's henchmen, Jackson sees his lucky star and transforms into a robot version of himself. The robot is able to trounce Mr. Big's thugs and save the children (but not before also morphing into a spaceship). The Jackson robot also made an appearance in the much-beloved "Michael Jackson's Moonwalker" video game.

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The economy is recovering slowly, but let's be honest: Times remain tough both on Wall Street and Main Street. But there are some people who clearly aren't feeling the pinch as much as the rest of us. Rapper Gucci Mane is one of those characters. It's not particularly shocking, as the Atlanta native has got plenty of caché behind him: He scored himself a high-profile guest spot on the remix of Mariah Carey's "Obsessed," landed on the list of the 10 Hottest MCs in the Game, has been killing it in the mixtape game and is looking forward to the release of his second full-length album The State vs. Radric Davis. So it's no surprise that in this wintry economic climate, Gucci is one of the few who can still sport (and afford) a solid piece of bling. It's not new (he's been sporting it for a few years), but 50 Cent just unveiled his new song "Crime Wave" (which features Gucci) and he included this photo of Mr. Mane.

Gucci told HHN that he "wanted to have a chain that was gonna shock the world and was gonna draw a lot of attention to me. So I thought about it while I was in jail. I was thinking about the colors and I wanted to have something crazy like the Big Cat chain, so I just went with Bart Simpson. I got a new one now though with a heart and an arrow going through it." Lately, Gucci has expanded his bling repetoire (including an Atlanta Falcons helmet and a ridiculous watch), but it's the Bart Simpson bling that gets us every time.

Meanwhile, "Crime Wave" is a crazy-good hardcore song that sounds grimy and cinematic at the same time. Between this and "Baby By Me," Before I Self Destruct is looking more and more like one of the top albums of the year.

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