All this week, MTV News will be going through the nominees for this year's official summer jam. You'll be able to vote all week on the official 2010 summer song poll for one of our five nominees, which include Usher's "OMG," Katy Perry's "California Gurls," B.o.B's "Airplanes," 3OH!3's "First Kiss" and Lady Gaga's "Alejandro." You can also endorse your own pick for the official 2010 summer song on our poll.

In addition to the new songs, we're going to take a look back at some classic summer songs from the past 10 years. Today's flashback takes us to 2004 and 2005, when American somehow thought John Kerry could be President and everyone got angry at the end of the "Star Wars" prequels.

2004: For one reason or another, 2004 is kind of tricky. Rightfully so, the country was distracted by the extremely contentious election that played out over the summer, which didn't leave a lot of time for partying (which is perhaps why dire ballads like Hoobastank's "The Reason" managed to rule the radio for a bulk of the sunshine months). Entries from Usher's Confessions scored a bunch of heat, though neither "Burn" nor "Confessions Part II" really work as a summer jam ("Burn" is too much of a ballad, while "Confessions Part II" is a little too smooth). (For the record, "Yeah!" peaked too early in the year.) Britney Spears had a huge hit in "Toxic," but there's something slightly cold about the production of that song that keeps it from being a true jam. The jam of 2004 comes down to a tie between Black Eyed Peas' "Let's Get Retarded" (which was known to the NBA-watching audience as "Let's Get It Started") and JoJo's "Leave (Get Out)" (which actually borrows a lot of elements from Blu Cantrell's "Hit 'Em Up Style (Oops!)," the official jam of 2001). But even those seem a little soft, as Black Eyed Peas had a much bigger summer jam in 2009, and it's uncertain how sticky the JoJo song actually was. Thanks for bumming us out, 2004. Other Contenders: Maroon 5's "This Love" or "She Will Be Loved" (too many guitars); Kelly Clarkson's "Breakaway" (too emo); Nelly and Tim McGraw's "Over and Over" (not "Hot In Herre" enough).

2005: With the election in the rearview mirror, everybody got back to the business of having fun in the sun. Whereas 2004 was a bit of a sleepy summer, 2005's cup runneth over. Though Kelly Clarkson's "Since U Been Gone" is just as intense as "Breakaway," you can shout along to it as you're driving down the highway. Gwen Stefani's "Hollaback Girl" is perfect, because it has a great beat, a totally ridiculous chorus that you can chant along to and the spelling of the word "bananas." Just about every song from 50 Cent's The Massacre was a jam (especially "Candy Shop"). But the summer belonged to "Dancing With the Stars" champion Nicole Scherzinger and her Pussycat Dolls, whose "Don't Cha" was absolutely killer. Other Contenders: Ludacris' "Pimpin' All Over the World" (peaked too late); Amerie's "1 Thing" (peaked too early); the Killers' "Mr. Brightside" (too Vegas-y).

What were your favorite summer jams from 2004 and 2005? Let us know in the comments!

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Rihanna's explosive video for "Rock Star 101" features a bevy of excellent costumes, some striking references to a handful of other videos and a killer scene where Rihanna cross-dresses as guitar god Slash (who provided the six string action on the track). It also gave Rihanna the opportunity to wear the latest accessory that all the pop superstars seem to be breaking out in videos and in live settings: A guitar.

Though she isn't actually playing the instrument (and by all accounts doesn't play), she still looks super-cool with it strapped around her body. A sweet-looking guitar lands some immediate rock star cool to whoever is holding it, even if there's no sound coming out. It isn't just that the instruments themselves look pretty sweet (though they certainly do). It's the association you get with true badasses who have wielded them in the past. Ultra-cool dudes and ladies like Jimmy Page, Joan Jett, Elvis Presley, Eddie Van Halen, Kurt Cobain and, yes, Slash himself. It makes playing the thing beside the point (though Madonna certainly gave it a go during her "Sticky & Sweet" world tour — and even wore a top hat to add another Slash association).

Some pop stars who borrow the image are legitimate players (Miley Cyrus can play and writes most of her material on an acoustic guitar, while Justin Bieber plays when he unplugs during his live shows), but just as many simply use it as borrowed cool. Even Jay-Z — by all accounts the coolest dude on the planet — recognized the power of the ax when he strapped one on during his headlining set at the Glastonbury Festival in 2009. (In perhaps the coolest aspect of the above photo, it was also meant as a shot against former Oasis mastermind Noel Gallagher, who had criticized Jigga's role as the headliner of England's biggest festival.)

(Check out more photos of your favorite pop stars with guitars, including Lil Wayne, Justin Bieber and Pink!)

Which pop star should wear a guitar next? Let us know in the comments!

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We don't normally celebrate the birthdays of people who have died (mostly because they can't enjoy the cupcakes we make for them — we hate to see cupcakes go to waste), but today's particular birth is extra special. On this day in 1907, John Wayne was born. The greatest star of Westerns in history (and one of America's most hardcore men), Wayne was christened Marion Michael Morrison upon his entry into the world. He grew up in California and wanted to join the Navy, but his talent as a football player brought him to the University of Southern California on a scholarship.

During college, Wayne got a job on the set of a movie directed by early American genius John Ford, which lead to extra work and eventual lead roles for Wayne, who had never really considered acting before. His first starring role was in the 1930 epic "The Big Trail," which was a flop for Fox and sent Wayne into obscurity for the better part of a decade. He finally caught another break with the help of his old friend Ford, who cast him in 1939's "Stagecoach," which made Wayne a star and helped establish his persona as a no-nonsense, valor-filled hero of the wild, wild west.

Nicknamed "The Duke," Wayne became a definitive movie star of his generation, starring in such American classics as "Rio Bravo," "Fort Apache" and the particularly memorable "The Man Who Shot Liberty Valance." Of course, his crowing achievement was 1969's "True Grit," which earned him an Academy Award. Wayne passed away of cancer in 1979 but will live forever in the minds of film fans and enthusiasts of classic American tales. We'll let Kid Rock pay tribute to the first true American Bad Ass.

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It took several months, but "American Idol" finally turned in a consistently excellent episode during the penultimate night of the ninth season. Both Crystal Bowersox and Lee DeWyze turned in stellar performances of each of their three songs, though Bowersox may have had the slight edge in the performance department that could be enough to put her over the top. But just like this weekend's UFC fight between Rashad Evans and Quinton "Rampage" Jackson, the showdown between Bowersox and DeWyze is a total dead heat. If Vegas set proper odds, it would totally be a pick'em situation.

Though Bowersox's songs were more consistently polished and excellent (especially her reprisal of "Me and Bobby McGee" and her take on Alannah Myles' chart-topping hit "Black Velvet"), the biggest moment of the night belonged to DeWyze, who turned in a spotty but beautiful rendition of U2's "Beautiful Day." It's a pretty loaded tune, as it not only has a vocal from one of the greatest rock frontmen of all time but also was the song that began the band's 21st century renaissance and accidentally became an anthem in the wake of the terrorist attacks on September 11th, 2001.

Following a decade that saw them veer off into the world of dance music, electronic experiments and art rock with mixed results, U2 dropped "Beautiful Day" as the lead track and the first single from their 2000 album All That You Can't Leave Behind. The spacious anthem brought back the band that everyone fell in love with at the end of the '80s, with those signature guitar stylings from the Edge and a clear-eyed vocal from Bono. If Lee DeWyze wins "American Idol" tonight, he has U2 to thank.

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After 43 episodes (and 54 hours you'll never ever get back), the ninth season of "American Idol" is finally down to just two. And I'm live-blogging every last second of it. (Although, not literally every second because that would be quite cumbersome. And boring.)

Will it be Crystal Bowersox, a dread-sportin' diabetes-havin' mother who's doing it all for her adorable baby (who I insist on calling Jack Bowersox)? Or will it be Lee DeWyze, a paint salesman from Mt. Pleasant, Illinois who was kicked out of school for behavior problems and who now loves wearing gray jackets and crying in front of large groups of people?

For a season that has been short on the drama, this week's finale is a bit of a nailbiter. While Crystal was the early stand-out who maintained her lead for most of the season, lately she's been stumbling with poor song choices. Lee always had the support of Simon Cowell and slowly but surely accumulated a very loyal fan base that is eager to root for an underdog. Unlike the Blake/Jordin and Fantasia/Diana showdowns of seasons past, it's anyone's game. Crystal and Lee's performances tonight will definitely determine who will get to sing a terribly cheesy song while confetti lands in his or her mouth at the Nokia Theater in Los Angeles on Wednesday night (May 26).

9:52 WHOA! The "Idol" press conference just ended and Crystal mentioned that she and Lee picked their own first singles. So any talk in my live-blog where I characterize Lee as a victim of a bad decision that was out of his control is inaccurate. Oh Lee DeWyze, why U2?!

9:00 And that's a wrap. Thanks for joining me this evening! And mark your calendars: I'll be live on the "Idol" Finale red carpet tomorrow from 6pm - 8pm EST (3pm - 6pm PST) and the only place you can catch it is on MTV.COM. You won't want to miss it. I'll be chatting up all your "Idol" faves of season's past, LIVE on the internet! (I'll probably interview Cameron Manheim, too. She always randomly shows up to the finale.)

8:55 Raise your hand if Will Young looks like Matt Giraud's better-looking older brother? (No offense Matt. I'm not saying you're a dog by any stretch of the imagination. But that Will Young is hard to compete with.) Here, this will make the Giraud fans happy. One last time this season let's all trend: #signmattgiraud

8:54 The original "Pop Idol" is singing "Get The Hell Out" or whatever this goodbye song is called... Aww, an adorable montage plays behind him, reminding us all of the potential this season had. Hi Lilly Scott, Alex Lambert, Katelyn Epperly and Tyler Grady! Thanks for making things interesting for a little bit, at least.

8:53 In the final phone number montage, it's clear that Crystal outperformed Lee DeWyze three-to-zero. But we should give Lee some credit. He was able to get the words out whilst choking.

8:52 The final Simon critique ever: "That was outstanding." Well that was anti-climactic!

8:52 Wasn't so bad. Crystal thanked Simon and wished him well on his future endeavors. Except it took her 45 seconds to remember the word "endeavor." Good thing that the final round wasn't a vocabulary test.

8:51 The judges are freaking out. Crystal may have just won the show. OH NO! "Can I just say something real quick?" This NEVER ends well with Crystal Bowersox. Keep your Bowermouth shut, girl! Don't ruin this!!!

8:50 Ellen doesn't know any contemporary artists who she can compare Crystal to. I can't either! But I can think of at least 2 dozen artists my parents grew up listening to. Just sayin'.

8:49 This is beautiful. She stole Lee DeWyze's choir. Sneaky move, Crystal! She's fighting back tears at the end. Gasp!

8:48 Somebody in the pit keeps making the Danny Gokey Heart sign. Even the studio audience has Season 8 withdrawal.

Read More...

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By Sean Lee

Rihanna's latest attempt at summer song domination is "Rock Star 101," and she's got the obligatory Travis Barker cameo to prove it. As you may have noticed, she's hardly the first hip-hop/R&B artist to have this brilliant crossover idea. Recent years have given us Juelz Santana's "Rock Star," Shop Boyz' "Party Like A Rock Star" (all the girls with "tramp stamps," stand up!), N.E.R.D.'s "Rock Star" (the standard bearer of faux-rock excellence), Young Jeezy's "Rockstar," R. Kelly and Ludacris' "Rockstar" (which added Kid Rock for extra cred), Chamillionaire's "Rock Star," Eminem's "We Made You (Rockstar)" and Pink's "Rockstar" (she'll always be urban to those of us who remember her first album).

In addition, Gucci Mane's big hit "Wasted" may as well be called "Rock Star," as it famously kicks in with the lyric "Rock star lifestyle/ Might don't make it." That one even manages to rock without a single piece of live instrumentation.

Putting aside whether Rih Rih's borderline spoof of rock will actually catch fire at cookouts this summer, what's most interesting is that her "Rock Star 101" and these other songs all reference a hard partying, debauched rebel archetype that hasn't really been prominent in rock in years. Which I guess is okay, since the simplistic, on-the-nose use of "Rock Star" as a title and topic shows that, by and large, these artists don't really listen to rock. They're just saying "we own/represent the old rock star aesthetic now." Or as Jay-Z has pointed out in numerous interviews, "rap stars are the new rock stars." (As if rap sales weren't already declining enough.) In the end, at least Chuck Berry and Little Richard are somewhere smiling and saying "motherf--k him and John Wayne." (A real rock star lyric — Google it!)

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You've seen the ads on TV for Freecreditreport.com, which feature bands crafting those tunes about not being able to get a loan or working a terrible job because of bad credit. What's the one thing they have in common? They're all incredibly catchy and dig deep into your gray matter. But with the launch of Freecreditscore.com, they need a whole new batch of bands to get their message (and their five newly-crafted songs) out there, and they've asked MTV to help.

Over the course of the summer, MTV will be conducting a talent search in a number of different major cities to find some great bands operating in any genre (from country to indie to metal to funk), and bands not in those cities can submit their entries online. The four finalists will get introduced during the Major League Baseball All-Star Game on July 13. From there, America will vote for the band they think is best, and said group will receive a killer prize package, including $10,000, a set of instruments from Gibson, free studio time, a spot on the MTV VMA Tour, an opportunity to walk the red carpet at the 2010 MTV Video Music Awards in Los Angeles and the honor of having their first music video premiere during said broadcast.

The search made its way to the House of Blues in Chicago last week, and MTV News' Sway was their to observe the performances, get some insight from the judges and catch up with the hopefuls. Check out the full report below and stay tuned to Freecreditscore.com for more online entries in the band search!

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"If you'd asked me five or six weeks ago, 100 percent, I would have said Crystal [Bowersox]. But now I've changed my mind. I think Lee's going to win. But you know what? The last two years, I've got it completely and utterly wrong. I don't think anyone's listening to me anymore. It's just a hunch. There's something about him, the fact that he's worked in a paint shop, he's talented. He hasn't had any real breaks in his life, and this has given him a shot. I like that."

-"American Idol" judge Simon Cowell, speaking to fellow judge Ellen DeGeneres on the latter's daily talk show on Tuesday (May 25). Cowell and DeGeneres will both preside over the season finale of the ninth season of "American Idol," which kicks off tonight with performances by finalists Crystal Bowersox and Lee DeWyze. Cowell's comments represent the general consensus among "American Idol" fans and followers, as while Bowersox seemed like the clear frontrunner for most of this season, it now appears as though the competition is DeWyze's to lose.

It will be an extra-meaningful finale for Cowell, who is departing the show after nine seasons to launch the American version of his British hit "The X Factor." While DeGeneres lamented Cowell's exit, the Brit said he was anxious about having everything come to an end for him. "I'm feeling a bit sad now, because we're nearly there [at the end]," Cowell told DeGeneres. "But at the same time, do you remember the last three weeks of school when you couldn't wait to get out? It's a little bit like that."

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Before Bret Michaels was the winner of "The Celebrity Apprentice," the star of "Rock of Love," a spokesman for diabetes research and the frontman for glam metal megastars Poison, he was just a kid from suburban Pittsburgh who had dreams of rock stardom. As his reputation proved over the course of his career (and as he admitted on MTV's "When I Was 17" this past weekend), he got into trouble early and often. And when you're growing up in tiny Butler, Pennsylvania, you need a set of wheels to find proper shenanigans.

In a bonus scene from Michaels' segment of "When I Was 17," the "Every Rose Has Its Thorn" singer told MTV that his ride of choice was "a lean green party machine." His vehicle of choice was a green Ford Galaxy, which he bought from his dad. "It was my father's car, and I purchased it for $200," he said. "Hard, cash money. I laid it down."

Michaels was a fan of the car because it had what he called "party-ability" (probably because you could comfortably seat eight people inside of it, according to one of Michaels' childhood friends). But there was also plenty of trouble to be had inside that car. "I got into lots of trouble with this car," Michaels admitted. "The one accident that stood out more than any of them was I pulled out into the freeway and it was snowing. We got tagged by another car coming, and we came inches from getting clipped by a tractor trailer. I thought, 'This is it, I'm dead.' So that was scary."

Check out the clip below, and be sure to stay tuned to every episode of "When I Was 17," which airs every Saturday at 11 a.m. on MTV.

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Claymation has a long history in rock videos. Peter Gabriel used clay to craft one of the most-watched, iconic videos in the history of early MTV in "Sledgehammer" (which regularly has a place on the "best videos of all time" lists). Adam Jones of Tool has directed a series of clips over his band's career that incorporated clay-based action (especially their breakthrough video "Sober"). Kenna turned to clay for his clip for "Hell Bent" and Primus exploited some clay characters for "Jerry Was a Race Car Driver." And of course the most famous video to feature clay characters is probably Green Jelly's "Three Little Pigs" (which really needs to be seen to be believed). Metalcore juggernaut Killswitch Engage have continued that tradition with the just-premiered "Save Me."

The clip begins with 80 percent of the band (in clay form) practicing in a tiny room. Singer Howard Jones is absent because he is on a fishing trip, which is interrupted by an apparent alien abduction. The rest of the band springs into action, donning space suits and chasing down Jones via "The Road to Mars." They run out of gas and get a tow, but end up crashing into the planet and getting exposed to the atmosphere (as the ship reminds them, "No Air, Geniuses"). The reunited quintet wake up performing a private show for a pair of aliens, who seem relatively pleased but ultimately decide they liked the band better during a concert on Uranus.

"Save Me" has everything you could possibly want in a video, including cheeky humor, clay metalheads and maniacal-looking aliens. Check it out below.

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