For such a small country (only around nine million people at last count), Sweden has a remarkable knack for exporting culture around the world. Some of the best metal bands in the world come from the Scandinavian nation, including At the Gates and Opeth. The Swedes have produced some remarkable films, especially the work of Ingmar Bergman ("Scenes from a Marriage," "Through a Glass Darkly"), Jonas Akerlund (many music videos, including Madonna's "Ray of Light" and Lady Gaga's "Telephone"), Tomas Alfredson ("Let the Right One In") and Lasse Hallstrom ("What's Eating Gilbert Grape," "Chocolat"). They've also got a great tradition of indie rock (The Hives, the Cardigans) and deliciously streamlined (and insanely catchy) dance pop from the likes of ABBA and Ace of Base. The latter group stormed the American charts in the early '90s, beginning with their debut album The Sign, which was released on this day in 1993.

Ace of Base consisted of musicians Jonas "Joker" Berggren and Ulf "Buddha" Ekbergsinging combined with singing sisters Malin Berggren and Jenny Berggren. The Sign (which was called Happy Nation in the rest of the world) crashed the American market in the fall of 1993 on the back of a handful of killer singles, including the instantly memorable "All That She Wants," "Don't Turn Around" and the title track. In fact, The Sign became the first debut album to put three singles on the top of the Billboard chart. In North America alone, it went platinum nine times and ended up at number 34 on the Billboard end-of-decade chart for the 1990s. The bottom line is that The Sign was gigantic, and you won't be able to get the title track out of your head all day.


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Throw your hands up extra high and smile a little brighter if you see Miley Cyrus today, as the teenage music, film and television superstar is celebrating her birthday. Cyrus is only 18 years old, but she has crammed an awful lot of life, career and influence into those years.

After getting bit by the acting bug at a young age, Cyrus doggedly pursued the title role on the Disney Channel series "Hannah Montana." Though the producers were wary of her age and size, they were impressed by her raw talent and her tenacity, and they rewarded her with the role when she was only 12 years old. "Hannah Montana" premiered in 2006 and became in instant hit, skyrocketing Cyrus to instant teen idol status. The show, which centered around a young music star who attempts to live a double life as a normal teenage girl, allowed Cyrus to not only show off her comedic skills and her acting chops but also her abilities as a performer of music. Cyrus has a natural charisma that came across easily and made her a hero to the millions of kids who made "Hannah Montana" into a hit.

Her television career fed naturally into her role as a music star. Through three solo albums — 2007's Meet Miley Cyrus, 2008's Breakout and the recently-released Can't Be Tamed — she has evolved as a pop singer who is able to bring in elements of straight pop, country music, rock, electronic dance sounds and whatever else makes her feel good. Her biggest hit, 2009's "Party in the U.S.A.," brought together all those elements for a brilliant pop stew that, not surprisingly, became Cyrus' biggest hit so far.

What would you get Miley Cyrus for her birthday? Let us know in the comments!

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In the strangely long history of "Dancing With the Stars," there has never been a finale as contentious as the one that began unfolding on Monday night (November 22). After a series of shocking eliminations and a lot of chatter about a voting conspiracy, the three finalists left everything at the door and unleashed some of the best dancing they have pulled off all season. All three remaining contestants — actress Jennifer Grey, actor Kyle Massey and teenage political figure/lightning rod Bristol Palin — acquitted themselves nicely over the course of the evening.

Each dancer performed twice, delivering a first round "redemption dance" and a second round freestyle. Grey delivered a sharp paso doble in the first round and followed that up with a freestyle dance set to "Do You Love Me" from the "Dirty Dancing" soundtrack. Each dance was lively and graceful, and the judges rewarded her in kind. Grey walked away with a pair of perfect scores, easily sliding her into first place.

On the basis of dancing alone, Massey provided Grey's strongest competition. But though he managed to accumulate a 27 and a 29 for his two dances, they lacked the kind of professional polish and easy charisma that Grey wears on her sleeve. Still, his freestyle (set to "Tootsie Roll," of all things) was probably the most fun dance of the evening.

Palin brought up the rear with two passable performances, laying out a reasonable jive and a sort of sloppy freestyle and accumulating a 27 and a 25. So while she's clearly in third place, the important thing to remember is that Palin's work is way better than it was a few weeks ago. So while she doesn't have the same execution as Grey or the enthusiastic characterizations of Massey, her narrative is probably the most compelling of the three. "There are lots of haters out there who are looking forward to seeing me fail," Palin said on Monday night. Luckily for her, none of them bother to vote on "Dancing With the Stars," which is why she will probably be walking away with the coveted mirrorball trophy.

Who do you think will win "Dancing With the Stars"? Let us know in the comments!

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Sunday night's (November 21) American Music Awards had everything an awards show needs. There were dominant winners (including Justin Bieber, who walked away with four prizes including Artist of the Year), stellar performances (from the likes of Taylor Swift, Rihanna, Kid Rock and the many-headed pop beast that was the Backstreet Boys and New Kids on the Block), a glamorous setting (the posh Nokia Theatre in Los Angeles) and killer after-parties. It also had another staple of big-time awards shows: the gift back. Each participant at the show — be they a nominee, performer or an honored guest — walked away with a bag full of cool new toys and awesome swag.

(Click here for more photos of the 2010 American Music Awards official gift bag!)

MTV News caught up with the producers of the show and got an exclusive peek into the sack of fun, which included some hot fashion, sleek new technology and some fun and games to boot. All of the stars (like Ke$ha, the Black Eyed Peas, Miley Cyrus and Ne-Yo) scored an underwater digital video recorder from Vivitar, a copy of "Just Dance 2" for the Nintendo Wii, a slick pair of Karl Lagerfeld sunglasses, the Samsung Epic 4G (a killer new phone from Sprint) and clothes from Penguin and DKNY. It's an impressive array of gifts fit for a pop superstar or a rock god (and, quite frankly, we would have been satisfied with just a tin of those Altoids).

(Click here for more photos of the 2010 American Music Awards official gift bag!)

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It's a given that Kanye West's new album My Beautiful Dark Twisted Fantasy will be a commercial hit, but considering West's erratic personality and his ever-evolving relationship with the media, it was never a sure thing that the album would be reviewed well. Most of West's past albums have been written about well, though they do tend to be polarizing (this was especially true of West's previous album 808s & Heartbreak, which fiercely divided everybody). But the first batch of high-profile reviews for My Beautiful Dark Twisted Fantasy, it turns out that critics are absolutely in love with West's latest opus, and it's on track to be one of the best-reviewed releases of the year and a sure-fire "Album of the Year" candidate for many publications and sites.

The review in Rolling Stone turned heads immediately. The venerable rock magazine gave the album five stars, which is not something that happens very often (and My Beautiful Dark Twisted Fantasy is one of only a handful of hip-hop albums to achieve that level of greatness). "With Fantasy, he makes everybody else on the radio sound laughably meek, but he’s also throwing down a challenge to the audience," wrote critic Rob Sheffield. "Kanye West thinks you're a moron if you settle for artists who don't push as hard as he does. And that means pretty much everybody."

Simon Voznick-Levinson's review in Entertainment Weekly was just as glowing, both of the music on the album and of the man himself. "[West] is ravenous for fresh inspiration, and the last four decades of music are on the menu," Voznick-Levinson wrote. "He samples atmospheric noodling from Aphex Twin and bombastic nuggets from Black Sabbath and King Crimson, and he gets help from some of the biggest names in pop, rap, and indie rock. West crafts these influences into a fever dream with a crescendo around every corner — the Beautiful Fantasy of the album's title."

The Boston Phoenix also thought that West had achieved a certain kind of transcendence. "Fantasy is the sound of an artist who is so far from shunning the spotlight that the firepower of the wattage pointed at him is a full-on supernova," wrote critic Daniel Brockman. And Spin magazine summed up Kanye's new album thusly: "West isn't claiming to be flawless anymore. He's trying to make a masterpiece. Trying to be honest with us. Trying to be honest with himself. Trying to figure out if he's closer to God or to something else entirely. Far more important than his aim, however, is the fact that he tries at all," wrote critic Chris Martins. "The Grammys, the platinum packs, the tickets stub from all the arenas he's rocked — they aren't laurels to be rested on. They're a jagged, unbalanced bed that West could spend a lifetime squirming over, perhaps finding only 60 or so minutes of thorny comfort at a time. That's eternally daunting news for him. But for us, it's a blessing."

What do you think of Kanye West's new album? Let us know in the comments!

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"Where's the wind coming from? It started out only [to stay cool], and then it kind of created this effect with my hair. You can only imagine, the show is two and a half hours. It's really, really warm onstage. I think it was very good, because a lot of people went and watched the commercial. And it upped my sales."

-International R&B sensation Beyoncé, talking about the sexy television commercial for her new fragrance "Heat" that got a partial ban in the United Kingdom. With her mother Tina Knowles at her side, Beyoncé discussed the issue as a guest on Monday morning's (November 22) episode of "The View." She noted that the ban came as a bit of a surprise, but ultimately it ended up working in her favor because it built a little bit of word-of-mouth buzz surrounding the spot and the fragrance.

In addition to the fragrance ad, Beyoncé had plenty of other things to talk about, including her fashion line (a collaboration with her mother, which is why she was also a guest on the show), her upcoming primetime special ("I Am ... World Tour," which premieres on ABC this Thursday, November 25, at 9 p.m. Eastern) and the accompanying DVD (I Am ... World Tour, which hits store shelves next week). Her household happens to have a lot of product on the market at the moment, as husband Jay-Z also just released an autobiographical book (the well-received "Decoded") and a greatest hits album that hits store shelves this week. She didn't say much about her home life, though she did admit that she's a little messy at home. "I think because I work really hard," she told the talk show's hosts. "When I'm home, I don't want to think about it."

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We have arrived at the release of Kanye West's My Beautiful Dark Twisted Fantasy, one of the most hotly-anticipated albums of the year. The 13-track LP completes something of a comeback narrative for West that began with the 2009 MTV Video Music Awards (when he was ostracized for crashing the stage during a Taylor Swift acceptance speech and went underground for a while) and was built up over the course of the past year with some key live performances, the "G.O.O.D. Friday" download series and the recently-released short film "Runaway." In fact, My Beautiful Dark Twisted Fantasy is so dense and full of gems that it's necessary to take each song and break it down to its bare elements. This time around, we take a look at the references on "Who Will Survive In America?"

The album-closing "Who Will Survive in America?" is only 98 seconds long and wraps up with a half-hearted round of applause — hardly the over-the-top finish expected for an album so grandiose. But it does provide a fitting end to one of the most compelling albums of the year (and perhaps the strangest mainstream hip-hop album of all time).

Gil Scott-Heron
As mentioned in the notes for "Lost in the World," the voice behind "Who Will Survive in America?" is Gil Scott-Heron, a revered spoken word performer whose style has deeply influence rap artists and provided a template for early rappers.

Paul Revere
Famous American patriot and iconic character in American Revolution lore. Made famous in a poem written by Henry Wadsworth Longfellow, Revere is credited with warning the Massachusetts militia about the late night movement of the British army just before the battles of Lexington and Concord (which ended up being the turning point of the war). In reality, two other riders joined Revere in spreading the word of "The British are coming!"

Nat Turner
Turner lead a slave rebellion in Virginia in 1831 that ultimately lead to his death and the execution of 56 other slaves. Turner fought for the end of slavery, but his noble rebellion lead to the southern states to pass more laws limiting the education and freedom of slaves.

Webster's
Dictionary makers named after linguist Noah Webster. Though a number of different publisher's use Webster's name, the actual Webster dictionary style lives on today in the Merriam-Webster versions of the book, and its focus on the evolution of the English language is rivaled only by the Oxford English Dictionary.

What's your favorite songs from Kanye West's new album? Let us know in the comments!

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It's hard to remember it now, but there was a time when Donnie, Danny, Jordan, Jonathan, Joey, A.J., Brian, Nick and Howie ruled the world. In their prime (roughly 1984-2000), the members of the Backstreet Boys and New Kids on the Block ruled the teen pop world. That explains why the news about their blockbuster joint tour has set hearts aflutter across the popscape. And though some of their vocals were rough trade at points during Sunday night's (November 21) American Music Awards TV debut, the energy, dance moves and magnetic pull of the respective bands' greatest hits were undeniable.

But that's not what excited me.

See, I'm a word guy, and nothing delights me more than clever wordplay (which might explain why we speak almost exclusively in "Runny Babbit" language in our house) and I suspect that the clever accountant who realized that these two group's names combined made one amazing poster is sitting pretty at his vacation home in Aruba right now counting his millions.

NKOTBSB
There is nothing more elegant, clever and pleasing to the eye than the combination. In fact, it got me thinking about other acts whose combined names make for great eye and ear candy, even if their music doesn't mesh as well as "I Want It … Step By Step."

Girl Talk Talk
Yes, on the surface there's little to suggest that contemporary mash-up king Gregg Gillis of Girl Talk has anything in common with '80s English new wave act best known for such hits as "It's My Life" and "Talk Talk." But in addition to making for one awesome name, if you look at the kinds of songs Gillis samples in songs on albums like his new one, All Day, just behind classic hip-hop he clearly loves new wave and alt rock bands like General Public, Spacehog, Talking Heads, Bananarama, Depeche Mode and Madness.

The Arcade Firehose
One is a contemporary Canadian band with eight members known for lush concept albums about fear and loathing in the suburbs, the other was a short-lived power trio formed by former Minutemen rhythm section bassist Mike Watt and drummer George Hurley. Together they would be … a free-jazz-punk-funk-folk mess. But a way interesting one.

R.E.M.O.M.D.
This is the least far-fetched of the bunch. British synth-pop group O.M.D. (Orchestral Manoeuvres in the Dark) recently got back together and released their first new album in more than 15 years, while Atlanta's R.E.M. (formed just two years later in 1980) are still chugging along with three original members. Both favor dark pop songs about complicated love, and O.M.D. even had a song called "Georgia" on their best album (that would be 1981's Architecture & Morality).

Run DMAC/DC
OK, this one would never happen. But man, wouldn't that logo be killer?

What two bands would you like to see tour together? Put your bid in below in comments!

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There are a number of huge high-profile releases hitting record store shelves this week, including Kanye West's My Beautiful Dark Twisted Fantasy, Ke$ha's Cannibal, Justin Bieber's My Worlds Acoustic and Nicki Minaj's Pink Friday. But if you're really looking to satisfy your rock jones this week, there is only one place to turn, and that is the elaborate universe created by My Chemical Romance's new album Danger Days: The True Lives of the Fabulous Killjoys. The band's long-awaited fourth album (their first since 2006's dark, complicated The Black Parade) casts them as a band of outsiders in an Orwellian future and is full of huge riffs and shout-along choruses. They have already scored a big hit with the first single "Na Na Na (Na Na Na Na Na Na Na Na Na)," and the video for "SING" is sure to carry them even deeper into the hearts of both hardcore fans and people who are new to their game.

Critically speaking, the album has been performing well, as most people seem extremely enthused about the evolution of the band's sound and approach. "Darkness remains in songs that seem to party their way to some impending armageddon," writes The Guardian critic Dave Simpson in a four-star review. "But the album should delight their fanbase while appealing to people who previously wouldn't be seen dead listening to MCR." Jonah Bayer of Alternative Press wrote a similarly glowing four-star critique, noting, "While My Chemical Romance's former peers have either embraced conceptual introspection (Thursday) or retreated from the spotlight altogether (Brand New), on Danger Days, MCR have fully followed their own larger-than-life creative vision. If nothing else, it’s admirable to see a band in their situation following their muse without worrying about pissing off diehard fans in the process."

Not everybody is as enthused, though. In a B- review, Entertainment Weekly felt the album was admirable but fell short. "They were better at Alice Cooper excess, and the album's concept — cartoon band battles evil corporation — never coheres," wrote Jon Dolan. Q magazine gave it a similar shrug, saying, "Danger Days doesn't sound like the future, but it does sound like the state of My Chemical Romance's art."

Still, the raves outweigh everything else. NME probably said it most directly. "This is the album [My Chemical Romance] were born to make," writes John Doran. "It gives us all the things that punk has never been able to provide: romance, sex, the adventure of the open road and sheer nihilism-banishing energy."

What do you think of the new My Chemical Romance album? Let us know in the comments!

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The 2010 American Music Awards featured a number of excellent, theatrical performances from some of the biggest names in music. Beginning with Rihanna (who opened the show with an intense read on the hit "What's My Name?" and the soon-to-be-massive "Love the Way You Lie (Part II)"), each subsequent performer kicked the evening up a notch in his or her own particular way. Justin Bieber filled the stage with a massive choir for the overwhelming wave that was "Pray," while the Black Eyed Peas pulled out another futuristic rave-up. Some performers went in the other direction, as Kid Rock shed his big rock sound for a simple acoustic tune and Taylor Swift settled for little more than a piano and some snowing-on-stage effects for her take on "Back to December." Ke$ha, Miley Cyrus, Pink, Katy Perry and others all impressed as well, turning in intense performances, with the only real dud of the night being the collaboration between Santana and Bush frontman Gavin Rossdale, which never seemed to come together (it didn't help that they were covering a beloved T. Rex song).

If we are to go solely by audience reaction, then the best performance of the night belonged to the combined powers of New Kids on the Block and the Backstreet Boys (henceforth known as NKOTBSB). The nine-headed behemoth took the stage at the end of the night and blew through a mash-up of some of their biggest hits. They were in fine voice and still moved extremely well, and it set the tone for their hotly-anticipated tour next spring.

So we'll leave you with this question: Who had the best performance at the 2010 American Music Awards? Vote in the poll below and sound off in the comments!

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