By Zachary Swickey
One of the best things about today’s modern music world is the ease with which bands are able to record. Previously, bands would need to hoard bookoo cash in order to get precious studio time and present a professional sounding album. The line between amateur and professional has become radically blurred, and with major labels becoming more and more unnecessary when it comes to releasing a record, creativity has never flourished as much as it is today (just look at the output of Nine Inch Nails during their final, label-free years). Case-in-point, Crosses – or technically †††, which is not be confused with the Justice album, † – the new side project of Deftones crooner Chino Moreno. A band that probably wouldn’t be possible if they had to deal with the obstacles that music labels can often present.
Crosses is the brainchild between Moreno, his childhood friend (and ex-Far guitarist) Shaun Lopez and Chuck Doom. Lopez is also notable for salvaging the fifth Deftones record, Saturday Night Wrist, when he took over vocal production duties due to Moreno not seeing eye-to-eye with the effort’s legendary producer, Bob Ezrin. Moreno has also tackled side projects before with the ambient sounds of Team Sleep, who released one self-titled (and totally kickass) record back in 2005.
Moreno took his fans off guard with the release of Crosses’ debut EP, †, on August 2. No one was expecting to hear music from the project so soon or so inexpensively (only $5 for a high-quality download). Without the concerns of a label, Crosses are able to take as little or as much time on their recordings and can release them whenever the heck they feel like it, which is music to fans’ ears (pun intended) as labels are known to sit on albums for up to six months (and sometimes shelve them altogether). Read More...

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