By Zachary Swickey
Once again I must thank 2011’s South By Southwest Music Festival for helping me discover a fresh, innovative band whose record I have been spinning non-stop throughout 2011. In January, I began combing through the collection of artists set to appear at SXSW (if you don’t do this, there will be at least a dozen bands you wish you had caught in hindsight) when I discovered the breathtaking music of Glasser and their debut Ring.
As I found my seat at the Central Presbyterian Church in Austin, Texas, I excitedly chatted with everyone around me, “Are you familiar with Glasser? Do you realize what we’re about to see?” Everyone understood why I was so elated once Cameron Mesirow’s mesmerizing, angelic vocals filled the entire room – supplying the perfect acoustics to hear the star-in-the-making. (Even the less-than-stellar iPhone video I quickly shot looks and sounds amazing).
Glasser is the perfect band to exemplify the ease with which music can be made with today’s technologies. Mesirow (think Trent Reznor – Nine Inch Nails) had always wanted to make music but it wasn’t until she finally learned the ins and outs of computer software GarageBand in 2007 that she finally began undertaking the task. After famously recording her first demos on the program, Mesirow reached out to producer Ariel Rechtshaid – who has worked with Theophilus London and Diplo/Switch power-duo Major Lazer – to help flesh out the songs (despite the fact that she felt they were near completion). Read More...


