Although much of our news-gathering focus right now at MTV is tied to the impending 2011 Movie Awards, we mustn't forget about our other equally exciting event, the season finale of "America's Best Dance Crew," which airs Sunday, at 7:30 p.m. ET/PT, just before the Movie Awards kick off at 9 p.m. ET/PT.

Since we have a few connections here and there, we were able to send MTV News' intrepid reporter Jim Cantiello inside the top-secret rehearsals of the two remaining crews, IaMmE and ICONic Boyz, who took a few moments out of their busy schedules to teach Cantiello the key element of the Dougie, which, of course, is to have "sway." Check out Cantiello's "sway" and assorted moves below.

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By Nuzhat Naoreen

When I asked what kind of behind-the-scenes info people wanted from the 2011 MTV Movie Awards, the one request I kept getting was for dish on where all the celebs (read: Robert Pattinson and Kristen Stewart) will be sitting on Sunday night.

So, I went straight to the source. I joined MTV News' Jim Cantiello and Joel Hanek for a shoot at the Gibson Amphitheatre in Los Angeles and got a couple of minutes to talk to Talent Ticketing Seating Manager (long title!) Stephan Lenart, the man responsible for placing Kristen smack-dab in the middle of Taylor and Rob (how's that for some dish?).

Stephan's been telling celebs where to sit for the past five years, and he was kind of enough to give me some insight into how he makes those decisions.

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By Nuzhat Naoreen

This is my first year working as a production assistant at the MTV Movie Awards, and after a few days I've already learned that you've got to be ready for anything and everything. One minute you're sending an e-mail, and the next, you're working as a cheerleader.

No really, that's actually what happened to me. Just watch the video below from last night's Sneak Peek Week screening of "Horrible Bosses," a special event leading up to the Movie Awards, where we debut exclusive clips from upcoming movies followed by Q&As with castmembers.

See how the audience is applauding before stars Jason Sudeikis, Jason Batemen and director Seth Gordon discuss the film? That wouldn't have happened without me (and my fabulous co-worker Vaughn Schoonmaker). We were the ones standing in front of the stage furiously raising our arms up and down (it was kind of a work out) to indicate when the audience should applaud. Without us, it would have been total clapping chaos (especially since the guys are so funny, and it's hard not to cheer on every joke!).
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The MTV Newsroom is not traditionally a place for religious fanaticism. But with Harold Camping and his followers making everyone (on the Internets, at least) think the world is ending on Saturday, we thought we'd hedge our bets. Here's how some MTV Newsers are spending their last hours on Earth:

Sabrina Rojas Weiss, editor: "I'm an escapist to the core — true story: I held a dance party at someone's death bed — so I'm not about to change my tune now. I'll actually be on a plane to an undisclosed tropical island on May 21, so if the world comes crumbling down, I will be listening to the new Fleet Foxes album (while picturing myself frolicking through a forest, of course. Oh, forests and old-fashioned harmonizing, I'll miss you), catching up on 'Friday Night Lights,' reading the latest Charlaine Harris novel (crap, will the world end before Sookie and Eric live happily ever after?) and repeatedly forcing my husband to watch this Swedish House Mafia video in which puppies save the day. Maybe my dog will actually be busy doing just that."

Vaughn Schoonmaker, producer: "On my last day, I would drink countless margaritas with my family (triple shots of super expensive tequila, hold the mix) and dance on my rooftop overlooking Midtown Manhattan to Gloria Gaynor's 'I Will Survive,' anything by Donna Summer, and the Bee Gees' 'Night Fever.' All while eating buffalo chicken tenders (I am currently a vegetarian) and probably crying because I sometimes get weepy when I drink too much. Also, I would let my cat, Bensoit off of his leash during this fiasco."
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Florence Welch displayed her Lungs on the Florence and the Machine album of the same name, which hit stores back in 2008. She found mainstream success in 2010 thanks to the track "Dog Days Are Over." Now a household name and a fashion icon, Welch is opening up about the band's follow-up album in Nylon magazine.

"A lot of the songs on the new album are about imaginary things, things that you can't touch — ghosts and rumors, my dead grandmother, things visiting you in a dream," Welch says in the magazine, hitting newsstands on May 31. "It's almost like I am taking the Oscars and all those amazing events and turning them into something that brings you back to your reality. I was dressing up to go on stage from the beginning, but instead of a designer outfit, it would be a £2 cape from Oxfam or a lime green catsuit I borrowed off Andrew [VanWyngarden] from MGMT."

(Check out exclusive photos of Florence Welch getting her fashion on in Nylon.)

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By Zach Swickey

This weekend, the Cleveland-based Rock and Roll Hall of Fame and Museum is opening a new exhibit devoted solely to the female powerhouses of rock. Dubbed "Women Who Rock: Vision, Power, and Passion," the exhibit will cover over 60 artists — from Wanda Jackson to Rihanna — with two entire floors featuring artifacts, video and listening stations.

The various sections of the exhibit will focus on the different genres and eras of music in which females left their mark. While this generation may be more acquainted with the likes of the Spice Girls and the Pussycat Dolls, bands the Shangri-Las and the Ronettes paved the way for our modern-day pop groups, and consequently there is a section of the new exhibit focused on girl groups of the early '60s. There are also displays looking at '60s counterculture, the disco-flavored '70s, the punk and pop explosion of the '80s, and the female-empowering '90s. We got a little sneak peek at some of the artifacts, and here are a few we're stoked for everyone to see:

Chrissie Hynde's jacket from the Pretenders' debut album cover:
Everyone is familiar with Michael Jackson's can't-miss-it red zipper jacket from the "Thriller" video, but he wasn't the first to make this iconic fashion statement. Chrissie Hynde rocked the getup in 1980, three years before the King of Pop did.

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By Alex Chapman

If you were at California's Coachella Music Festival on Sunday night (or patrolling the Internets for its live feed), then you were likely a witness to one of Kanye West's best live gigs yet. Rocking an uber-cool patterned shirt and a boatload of energy, an emotional West blazed through a bevy of hits solo, with only indie collaborator Justin Vernon and Clipse's Pusha T joining him on their respective features from My Beautiful Dark Twisted Fantasy.

But West wasn't completely alone — the game-changing artist was backed by a superfluity of female dancers and a talented team of musicians, including Chicago-born DJ/producer Million Dollar Mano.

"The experience was one-of-a-kind, true production," Mano, who worked with West on Dark Twisted Fantasy, told MTV News on Monday morning. "We just did Lollapalooza in Chile last week, and that was huge. I thought Coachella was going to be just as critical, but it was 10 times more of an awesome production than I was expecting."

Despite his cool, calm demeanor during the show, Mano, who's known Kanye for years, certainly felt the pressure to perform. "He said that this would be his biggest show yet. I wanted to make sure I did my best for him so he could look back at this years from now and be proud of the show 150 percent."

Were you at Coachella this year? Share your own concert reports in the comments!

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SEATTLE — With just a few hours left before I had to catch a plane out of town, there was one more stop I had to make on my whirlwind Seattle music history tour.

Driving to a nondescript industrial zone amid anonymous warehouses, I set out to explore the Pearl Jam headquarters.

Not many bands have the kind of well-oiled machine that PJ has built over the past two decades, but their digs should be an inspiration to any kid in his basement hoping to one day rock the masses. This is what hard work, great tunes and a rabid fanbase can get you, a playground all your own where you can offer your diehards an unending supply of high-end swag, including, at the moment, lush collector's box sets of your albums, plenty of which were in evidence on pallets scattered throughout the building.

One of the conference rooms in the smartly appointed offices featured images of the band with various dignitaries, from President Obama to Bruce Springsteen. The most intriguing was a shot of Beyonce and Jay-Z walking through the bowels of Madison Square Garden and gawking at a photo of PJ singer Eddie Vedder. Right next to that was a set-up sequel of Vedder looking equally astonished at a photo of the hip-hop supercouple.

A downstairs warehouse area the size of a basketball court was packed with road cases fresh from Vedder’s recent tour of Australia and shelves of hardware that looked like a small music store. There were dozens of guitar straps, every shape and thickness of guitar strings and boxes upon boxes of harmonicas and picks labeled with the names of the band members, various masks they wear on stage and rack-upon-rack of sound gear.
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On this day in 2005, Hurricane Katrina made landfall in New Orleans, beginning a cycle of disaster that still affects the city today. Just after the storm hit, MTV News' SuChin Pak headed down to Louisiana State University in Baton Rouge to talk to refugees who were forced to leave New Orleans and volunteers looking to help out. These are her recollections five years hence.

I have not been back to the Gulf Coast since our last time down there. We went back a year after the hurricane to see how things had changed, and the thing that sticks in my memory the most is how little things had changed and in ways how much worse it was. Houses that had been filled with water were now drained but sitting for a year, untouched in the hot Louisiana sun. You can imagine the state of the houses and the kinds of smells that you encountered when walking through the empty streets. It kind of felt like a post-apocalyptic movie where you usually see the zombie creature as you turn the corner.

During our time there, it was the silence that was most deafening. You didn't hear one hammer, one construction truck, one sound that would indicate that rebuilding would come soon. We traveled with a group of high school and college students that were doing the work of retrieving belongings and trying to make a dent in the damage. They were the only group we encountered there ̵ no government agencies, no construction companies, just a small group of students volunteering to try to bring this neighborhood back on its feet. I left mostly feeling angry and confused.

Today, with the oil spill and the economy still in turmoil, I wonder how that neighborhood looks and if indeed, they were able to get back some of what they lost. I certainly hope so.

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As told to Peter de Saint Phalle

On this day in 2005, Hurricane Katrina made landfall in New Orleans, beginning a cycle of disaster that still affects the city today. MTV News' Sway was on the scene in Houston to talk to evacuees about the aftermath of the storm. This is the story of his encounter with a young refugee named Terrell.

My four-person film crew and I arrived at the Astrodome in Houston on the Friday (September 2, 2005) after the storm had struck. The arena had become a drop-off point for the people being evacuated from New Orleans. When I first watched the media's coverage of the storm and its aftermath, it all seemed like an event too devastating to be real. Now as I saw the mass of people crowded outside of the Astrodome, the reality of Katrina's destructive power hit me in a whirlwind. These people were separated from families and friends, often with no changes of clothes, no identification, no money and no idea of what to do next.

The situation inside the stadium was even more ominous. I remember my crew and I walked out of the players' tunnel, almost expecting to see grass, goal lines, and referees. Instead we were met by a sea of people camped out on the floor of the stadium. There was very little food and water being distributed while bathroom facilities were overflowed and no longer working. I remember how the elderly were stationed below the bleachers, left without proper care and medication. One elderly woman had recently passed away. Her body was left where she was originally dropped off.

The people who came up to talk to me were angry and confused. They felt like their government didn't value their lives and that they had been abandoned in their time of great need. During those moments it was hard to expect any feeling of hope to emerge from such a seemingly hopeless situation, which is why I was surprised to meet a young man like Terrell.

Terrell had recently been bussed in from New Orleans and was looking for his family. Busses were dropping refugees in areas scattered across Texas and Louisiana, but Terrell would not rest until he knew where his family was. I was apprehensive about my crew following Terrell on his search. Even I, a stranger far removed from the situation, could feel the hopelessness of Terrell's circumstance. I was worried about exploiting the man's potential loss.

We followed Terrell for hours, searching cots, rooms and surrounding buildings for any sign of his family. His tenacity was rewarded when he found his brother, nieces and nephew at a refugee site not far from the stadium.

What Terrell taught me that day was that even through a terrible disaster, people will survive their struggles if they look to survive with hope in their hearts.

What are your memories from Hurricane Katrina? Let us know in the comments!

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