Mariachi El Bronx

By Zachary Swickey

Despite their jet lag and still donning their Mariachi outfits from their set at Austin City Limits, Ray Suen and Jorma Vik sat down with MTV News to discuss Mariachi El Bronx, the Spanish-flavored side project of LA’s finest punk rock bands, The Bronx. Their ACL appearance was a one-off break from their much-coveted opening slot on the Foo Fighters fall tour. El Bronx’s new, niche sound is winning the hearts of many, and the guys were kind enough to shed some light on the project for us.

First off, your name and all of the instruments that you played on the album?
Jorma: I’m Jorma and I play the drums and handle percussion for Mariachi El Bronx.
Ray: I’m Ray and I play violin … and some other stuff. (Editor’s note: I’ll throw Ray a bone here: He plays violin, guitar, harp, requinto jarocho, vihuela, jarana as well providing backing vocals.)

What is the technical term for the Mariachi outfits?
Jorma: They’re called Charro suits. C-H-A-R-R-O.
Ray: We had ours made out in East LA by a guy named Alyas. How did you find Alyas [asking Jorma]?
Jorma: There’s a really f**king cool part of LA and it’s like maybe a half mile square and it’s all these taco shops, mariachi shops and all these places that make the suits or instruments. There’s this one little corner called “Mariachi Plaza” where a bunch of Mariachi dues will be all dressed up and they stand there waiting for people to pick them up to play parties or whatever.

Why no Mariachi hats?
Jorma: We thought it was a little campy. You know people would think, like, the "Three Amigos" or whatever.
Ray: Well, we’re already combating some kind of prejudice and we don’t want to make a mockery of anything, so yeah, it’s exactly that. When people think of Mariachi, especially in the UK, people will say, “Oh like 'Three Amigos'?” It’s like, “Nooo, not so much like 'Three Amigos.'” Read More...

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Mariachi El Bronx

By Zachary Swickey

The weather gods no longer had pity for the crowd on day three of the Austin City Limits Music Festival. The sun began shining bright and early for us festival-goers, but thankfully, all eight members of Mariachi El Bronx hit the stage promptly at 12:30 in the afternoon and soon made us all forget about the sweltering heat beating down on us. (How could we complain when they were in full-blown mariachi garb sweating like a Spanish Slipknot?)

Appropriately, they snapped right into the opening track of their recently-released second album, 48 Roses. Frontman Matt Caughthran's vocals were spot-on as he serenaded, "So please save some forgiveness for me / a man blinded by love can't think clearly." When the song was over, he couldn't help but be taken with the scenery. "I really wish you guys could see the view from here. It's beautiful," he marveled. Caughthran joked that he wished he had brought some psychedelic substances to enjoy the setting even more, but noted he would've looked like an a**hole if they had missed the show because he tried to sneak drugs onto the plane from St. Louis.

"Cell Mates" was everything I hoped it'd be. The vibrant horns were alive and showed no signs of jetlag despite the show being an off-date that was squeezed in since El Bronx are currently the opening act for the Foo Fighters. Caughthran had no problem sharing the background of a few songs as he interestingly proclaimed "Silver or Lead" was about the similarities between Jesus Christ and Pablo Escobar (admittedly, it's hard to tell if he's joking sometimes, but that's part of his charm). Caughthran then urged us all to ignore the BS in life and embrace the good, noting there was plenty to go around at ACL before breaking into another stellar, mellower track from their new album. "This song's called 'Poverty's King,'" he said, "and it's about being poor but happy." Read More...

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By Zachary Swickey

There were some interesting sights on day one of Austin City Limits, but day two was no slouch on the “weird” either. I witnessed a full-grown man wearing only women’s underwear, several tween girls attempt crowd surfing for the first time, and an elderly woman with Skrillex clearly circled on her schedule. Just another typical day at ACL, where the weirder you are, the more welcome you seem to be.

First on the agenda were MTV VMA performers Young the Giant. Mere seconds before YTG took the stage, the sky dropped a sudden downpour of rain (two days in a row now after three months of zilch). The rain was coming down rather hard and was a bit chilly as everyone was expecting dry, 100-plus degree weather throughout the weekend, but the many hippies I saw doing “rain dances” must’ve worked their magic.

Frontman Sameer Gadhia embraced the rain, saying, “It’s finally raining Austin! Now let’s have us a good time!” The band wound through the various hits off their debut album, with “My Body” and “Cough Syrup” being the obvious favorites. Gadhia swooned the ladies with his onstage charm as he crooned into his vintage microphone and frequently displayed his tambourine skills. Their catchy track “Strings” had to be my favorite electric, spine-tingling moment.

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By Zachary Swickey

Austin City Limits was back celebrating its 10th anniversary this weekend, a little earlier than its typical October slot, which helps explain the temperatures being a solid ten degrees higher than I recall from year's past. It's the last of the music festival season's "big four" fests – Coachella, Bonnaroo and Lollapallooza obviously being the other three – and with Austin, Texas being rain-free for three months, I was a bit weary of how I'd handle the blistering sun.

Luckily for me, Theophilus London was ready to make me forget about the weather. Donning a jet-black tank top and equally dark cowboy hat with a flat bill all the way around, London rocked some tunes from his righteous Lover’s Holiday EP and some select tracks from his recent full-length debut Timez Are Weird These Days. He cut one of his tracks short when he was inspired by a sudden downpour of rain that came out of nowhere, all while the sun was still peeking through the clouds. “Hold up, hold up," he said. "We gots to play a different song.” Unexpectedly, London broke into rhyming over a sample of Whitney Houston’s “I Will Always Love You” from The Bodyguard soundtrack. The crowd erupted, ate up every moment, and the climax was London’s impressive freestyling over a funky warbling beat as he closed his set.

I made the trek across Zilker Park in time to finally see UK-import - and a favorite of the ladies – James Blake. While I had not fallen for the singer as much as some of my music-elitist friends, he won me over with his funky, experimental set. Blake’s affinity for sampling his own voice on the spot in a live setting was pretty rad to see. Expectedly, “Limit to Your Love” was the crowd’s favorite as the bass was visibly shaking the ACL banners draping both sides of the stage. He did look a little disgruntled at one moment when a raucous band was playing nearby and their sound was frequently bleeding into some of his mellower moments. (I could have sworn his sound guy began turning his bass up even louder.) Read More...

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<em>Photo Credit: BSKphoto.com for Electric Zoo</em>

Photo Credit: BSKphoto.com for Electric Zoo

By Nick Philippou

This past weekend, Randall’s Island again played host to an eclectic fusion of electronic dance music at one of New York’s fastest growing music festivals – Electric Zoo. Headlined by the likes of Tiësto, David Guetta and Armin van Buuren, dance music’s elite conducted their own brand of symphony to a melting pot of an estimated 85,000 fans over three days and nights at summer’s last official hoorah. With international artists spanning multiple stages across the massive concert grounds, killer sets were by no means hard to come by, but we have narrowed it down to five of the most noteworthy acts that graced the main stage and put their mark on NYC’s dance music monster.

Armin van Buuren
Sunday’s finale featured Armin van Buuren, the reigning king of trance, directing a triumphant, crowd-pleasing closing set to the weekend. AVB fired off a barrage of his international smash-hit tracks like ”Full Focus” and ”Silent Hearts,” featuring BT mixed against Simon Patterson’s “Latika” before powering through Eric Prydz’s remix of Dépêche Mode’s “Personal Jesus.”

He teased an early ending at 10:50 PM, leaving the stage after “In and Out of Love” seemingly closed his set. Then moments later, an echoing chant of “we want more” was answered by a red and white firework-filled spectacle, choreographed to the beats of AVB’s “This Light Between Us,” to close the weekend.

<em>Photo Credit: BSKphoto.com for Electric Zoo</em>

Photo Credit: BSKphoto.com for Electric Zoo

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Photo By Zachary Swickey

Photo By Zachary Swickey

By Zachary Swickey

DALLAS – In the past year electronic dance music has wiggled its way back into the mainstream in a way it hasn’t done since the mid-90’s enthusiasm for hard-banging house acts like the Prodigy and the Chemical Brothers, who have both weathered changing musical trends and are still around today. What better time than now for the inaugural run of a new touring digital music festival?

Case-in-point, the Identity Festival. “Grandfathered” by EDM legends Kaskade and Steve Aoki, who helped pick out the jaw-dropping lineup, Identity has been sweeping the U.S. with rotating slots featuring the likes of White Shadow, Holy Ghost, Datsik, the Disco Biscuits, Rusko, DJ Shadow, Skrillex, Pretty Lights and, of course, Kaskade and Aoki themselves at select spots.

Things were off to a slow start at the Dallas stop on Sunday, considering the temperature was a mild 107 degrees. Heading to the main stage, I caught the wild stylings of Afrobeta – a guy/girl duo who could resemble Nelly Furtado’s hot younger sister and Paul Giamatti’s sequin-emblazoned cousin. Concocting pop music with some banging low-end bass, the crowd ate up everything Afro served – including a dubstep version of the “Looney Tunes” theme song and a complete pop reinvention of Nirvana’s “Lithium.”

Next up was the more subdued Holy Ghost – an electropop duo who already have our attention – bringing with them a full backing band (something scarce on this DJ-friendly tour) to flesh out their disco sounds. “Do It Again” and “Hold On” were crowd favorites that helped inject some energy into the set as the fans were already melting in the early afternoon. Frontman Alex Frankel provided additional percussion on a few tracks, which helped give the easy-going show a little extra bang. Read More...

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By Zachary Swickey

Riding high on the overwhelming critical success of their self-titled sophomore release, Bon Iver are set to curate a new music festival in Paris this fall. The Chicago-based Pitchfork Music Festival is expanding overseas and asked Bon Iver to help curate the event. Seems rather fitting for singer Justin Vernon’s falsetto coo to swoon audiences in the city of love.

Vernon and his bandmates will play the La Grande Hall in the French capital as the main headliner on October 29 with Cut Copy, Kathleen Edwards and Pantha du Prince in tow and more artists expected to be announced.

Bon Iver is the latest artist to curate a music festival, a growing trend as the number of stateside festivals surges. In the last year alone, Wilco, Portishead and Animal Collective have all worked to select bands for various festivals. And, of course, there’s Perry Farrell of Jane’s Addiction, the man we can thank for Lollapalooza – originally a touring music festival started in 1991. Lolla’ has since grown into one of the premiere festivals in the US, rocking Chicago every August. Farrell does a great job of bringing in musicians from all over the musical map, but here are five bands/artists we’d most like to see curate a festival.

The Flaming Lips

The Flaming Lips are notorious for their wild, psychedelic performances – frontman Wayne Coyne rolling around on top of fans in a giant human hamster ball is a concert staple. From Japan to Puyallup, Wash., the Lips are in demand all over the globe, and summer music festivals can’t seem to get enough of them. Plus, the Lips seem to love working with other bands. MGMT and Karen O of The Yeah Yeah Yeahs both appeared on their last album, Embryonic, and just this year they’ve collaborated with Neon Indian and Prefuse 73 (with more collabs on the horizon). It’s clear that the Lips are loved by fans and fellow bands alike, so could someone please just ask them to curate their own festival already?

Read on for more. Read More...

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Credit: Cheyenne Bosco

Credit: Cheyenne Bosco

By Adam Stewart

It was one epic a weekend for the New York City dance scene, as Governors Island played host to tens of thousands of fans and over 75 DJ’s on three stages at the first ever Dance Here Now Festival. With a six-hour set by the legendary Paul van Dyk kicking off the festivities Friday and Fatboy Slim headlining on Saturday, the stage was set for the most anticipated acts of the weekend, Laidback Luke and Benny Benassi, who co-headlined Day 3.

Sunday started off soggy and damp on the Island when MTV News arrived on the scene, but before long, things were already heating up in the courtyard tents with a bumping electro house set by Slick Nick, down tempo “Moombahton” set by Sazon Booya, the moniker of Mr. Vega and DJ Sav (aka Stephen Vasquez, director of the Electro Wars documentary). Back on the main stage, the masses were further primed by the up and coming Japanese Popstars, who took to the main stage and hit hard with a Benny Bennasi remix of their hit single “Saving Lisa,” kicking the party into high gear.

When Dutchman Laidback Luke took the helm around sunset, the thousands in attendance exploded as he wowed the crowd with Steve Angello’s “Be,” Duck Sauce’s “Barbara Streisand” and Swedish House Mafia’s “Miami 2 Ibiza.” Mixing it up even further in the second hour of the set, Luke changed gears for a old-school hip hop intermezzo , belting out a remix of Fat Joe’s “Lean Back” and House Of Pain’s “Jump Around,” before switching gears back to house with he and Lil’ John’s massive collaboration “Turbulence” and the Mahesa Utarra remix of Angger Dimas’ “Are You Ready.” Needless to say, Dutch Dance ambassador rocked the Governors Island beach and perfectly set the stage for the evenings closer, Benny Benassi. Read More...

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By Adam Stewart

No car this holiday weekend? So you’re stuck in the city and can’t find your way down the shore or out to the island. Fear not. Instead of wasting away the days frying on your co-op’s sweltering rooftop listening to a senior’s book club yap while you’re daydreaming of a better life, why not join the 25,000 others who’ll be dancing their cares away right in your backyard? There’s still time to grab tickets and join in on inaugural Dance Here Now Festival. Pacha Nightclubs presents the first of its kind event on NYC’s Governors Island this weekend, July 1-4, bringing together world class acts, top notch sound and one hell of a view.

“The four day open-air festival will be housed in the biggest outdoor arena in NYC history,” says Eddie Dean, president of Pacha Nightclubs. “It’s custom made and built for the occasion, with a sonic and visual onslaught by festival specialists AG Light & Sound”.

Construction on the massive arena is currently under way as over 200 crew members erect the structure which will house 15 world class headlining DJs, including Laidback Luke, Benny Benassi, Paul Van Dyk and Fatboy Slim, James Zabiela, Victor Calderone and The Japanese Pop Stars, as well as over 60 supporting acts spinning sets in the courtyard tents. Read More...

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This weekend in Pilton, England, the Glastonbury Festival of Contemporary Performing Arts thrilled more than 170,000 festivalgoers with sets from Coldplay, U2, Beyonce, Radiohead, Queens of the Stone Age, Morissey, Wu-Tang Clan, Paul Simon, Fleet Foxes, Bright Eyes, Lykke Li, Kesha, Cee-Lo Green, Big Boi, Crystal Castles and hundreds of other big-name musicians.

Founded by Michael Eavis, a now 75-year-old dairy farmer who had the idea after seeing Led Zeppelin perform at a music festival, Glastonbury has become one of the biggest festivals in the world and routinely lands some of the biggest stars in music as headliners.

The reviews for this year’s fest are in and apparently it was a banner year over in jolly ole England. Had there been a roof over the outdoor fest, it seems Beyonce would have blown it off. Check Queen B out above and read on for more action from Glastonbury. Read More...

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