“We’ve never been the sort of band that follows fashions and goes along with the pack. It’s more about following our own style, doing our own thing.”

So says Luke Ford, guitarist for Brit-rock five-piece The Duke Spirit. To be fair, I thought they looked perfectly stylish when I spoke to them a couple of weeks back, on the very day their second album, Neptune, was released: four dapper gents and their rather stunning frontwoman, Leila Moss.

Of course, Ford meant they eschew musical fashion, and as Moss told me, that sometimes puts The Duke Spirit at odds with the oh-so-trendy UK pop scene -- as you can hear in the clip above.

Still, The Duke Spirit feel like fans on both sides of the Atlantic are coming around, with the help of what Leila calls the "richer sound" of their sophomore album, the nautically themed Neptune. It was written in soggy ol' maritime England, but was recorded in -- of all places -- the desert.

More on their Joshua Tree recording sessions -- and the My Bloody Valentine reunion talk -- after the jump. Read More...

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ConorBlog

Conor Oberst, the man behind Bright Eyes' avant-Americana, is getting ready to release his first solo album in thirteen years, on August 4th. The album was recorded in Mexico this past January and February, in an impromptu studio assembled in Tepoztlan, a town known (um, as Merge Records' release tells us) for Aztec vibes and extraterrestrial activity.

The sessions were produced by Conor and cohort Andy LeMaster, and recorded by some friends calling themselves the Mystic Valley Band. (Actually, we should have seen this coming, considering the billing of this fest.)

Oh, and actually, it looks as if most of the album's tracks already can be found, in some version, online. Go out and buy it anyway, people!

While the album title hasn't officially been announced [Update: It's self-titled], you can check out the complete track list for the album after the jump. Read More...

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fergiekimintv

I just spent the last half-hour or so talking to Fergie because someone had to do it. And the woman's life without the Peas (as you know) has been way busy.

She's releasing a deluxe version of The Dutchess on May 27th, and she talked to us about the five new tracks that will be on the album. I can't spill my guts about everything I heard, but I can tease you a little bit...

Tracks include a cover of Heart's "Barracuda" (if you saw Idol Gives Back, you know how excited Fergie is about this one). There's also a slower track called "Pick It Up," a Soulja Boy remix of "Clumsy," and, finally, "Labels or Love," which is going to be the Sex and the City movie theme song. Fergie, a huge fan of that show, told me that she relates to a mix of Samantha, Carrie, and Miranda…leaving out headband-sporting Charlotte. Guess that makes sense.

So now that she's become a flamin' hitmaker, what does Fergie do in her downtime? She watches reruns of "I Love New York," "Rock of Love," and "Flavor of Love" -- and she said she wasn’t just saying that because she was on MTV turf. (What's with the fascination with Brett Michaels...??)

We also talked about what's on her iPod, future movie plans, being a child star, and -- on another level -- the throes of addiction. For more on all that, keep checking back with MTVNews.com...

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WeezerP&B

For some reason, people in the MTV Newsroom tend to consider me "The Weezer Guy." This is probably because I am an older indie-rock dude who wears glasses. Or perhaps because I've written stuff like this or this. Or maybe because I once did an interview with Rivers Cuomo that he roundly criticized later on his MySpace blog.

Anyway, yeah, I'm the guy everyone goes to here whenever there's news about Weezer, which means that today my inbox is overflowing with messages from my fellow employees, all of whom appear to be super-psyched about the brand-new Weez album (June 24th). And then there's the first single from that record, "Pork and Beans," which is already streaming on the band's site and garnering plenty of "Weezer returns to form!" props.

"I. Love. It. And I hate saying it. The music harkens back to The Blue Album, while the lyrics are rather questionable," some Internet person wrote. "It's as if Rivers of present day went back in time to Blue Album Rivers and wrote these bad lyrics. That Timbaland one makes me laugh, though."

Here's the only problem: I know I should be doing cartwheels about this. I should be playing "Pork and Beans" over and over again and annoying my officemate. I should be as psyched as everyone who's emailing me.

Only I'm not.

For whatever reason, I can't get into "P&B." In fact, I basically think it's a complete mess. Sure, the chorus is classic -- ah, those chords! But there's so much going in the verses -- the plinky keyboards, the goofy "Oohs!" on the backing tracks, the overall Casio-ness of the thing -- that it's borderline un-listenable. It's herky-jerky (and not in the way Pinkerton was) and geeky-for-the-sake-of-being-geeky, and it kind of sounds like The Muppet Show, whatever the heck that means.

And then there's Cuomo's lyrics, which (of course) are still self-loathing to the bone, but now seem so full of "gee-ain't-I-clever" mentions (check the nods to Rogaine, Oakley shades, and, of course, Timba) that I'm beginning to wonder if his whole "Industry Outsider" thing isn’t a complete sham. After all, there's only so many times you can dip your feet in the pop-cultural pool (like he did on "Beverly Hills") without getting wet, no matter how thick your Coke-bottle specs are, or how tight your itchy cardigan is stretched over your pasty gut. Or something like that.

OK. Go ahead. Send in your protests...

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teenagerscollage

Let's be honest -- plenty of times, new-band buzz builds from the outside and works its way into media outlets. Like that year everybody who went to SXSW was forced to see Bloc Party play about seventeen times. Or when the hype around Black Kids heated up so damned fast that the bloggy backlash had started before the rest of us were done playing catch-up. But sometimes, just sometimes, a kind of consensus about a new artist builds from within in a way that's so organic it's a little creepy.

Case in point, the infiltration of the MTV News department by The Teenagers:

From: Fraenkel, Jim
To: Alex Mar
Subject: The Teenagers
So when these emails came, I was in my office listening to the Teenagers on my iPod. And Conor Bezane’s Facebook status read "I'm really into the Teenagers." Just scroll down...

From: Norris, John
To: Fraenkel, Jim
CC: Montgomery, James; Bezane, Conor; Kennedy, Brendan
Subject: The Teenagers

Not since a drunk Serge Gainsbourg turned to Whitney Houston on Michel Drucker’s talk show in 1984 and said about the young singer “I really want to f--- her” has an American experienced anything from France as delightfully raunchy as The Teenagers. James already gave em love in last week’s BTTS, and now I would love it if we could do something video-wise with them as well.

Their songs -- "Starlett Johansson," the genius "F--- Nicole," and of course the “Summer Nights” gone vulgar guy-girl singalong of "Homecoming" -- may require quite a lot of bleeping on our part, but they are priceless….

Let me know what you think….Merci bien, et vive les Teenagers….
J

P.S. Oh yeah, Conor and Brendan are also big fans, so I copied them on this as well.

--------------------------------------------------------------------------------

From: Montgomery, James
To: Fraenkel, Jim; Norris, John; Bezane, Conor; Kennedy, Brendan
Subject: RE: The Teenagers

This is a really long email about a really good band.

Like I wrote in Bigger Than The Sound last week:

1. The Teenagers' Reality Check: An album's worth of ultra-profane Euro-pop about sex and partying and every European male's favorite hobby: seducing awestruck American girls. Plus a song that pokes fun at Jared Leto! If you hate the French (or cheerleaders), then "Homecoming" just might be the song you've waited your whole life for. And if you've ever found yourself wondering what Pulp would sound like if they were fronted by an effeminate, debased French dude, well, now you've got your answer.

James Montgomery

Then there was my recent e-chat with James, trying to figure this all out:

AM: So wait -- why do you like them?

JM: Some people here read WAAAAAAAY too much into them, but basically I think their album sounds like US Weekly/OK!/E!-The Musical.

AM: Whoa. That's a great way of putting it. Although I do believe that Pulp were way better.

JM: Oh yah, WAAAAAY better for sure. Also, I am like 90% sure that the Teenagers are a complete joke and we're all falling for it. Like, they're not trying at all.

AM: Um, yeah, I kind of agree with that. We're going to find out that the singer is actually James Murphy filtered through some crazy kind of French vocoder.

Videos from the Teenagers after the jump -- including their French-stalker ode to Scarlett Johansson. Totally worth it...and a little bit NSFW. Read More...

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HardCandyResponse

So last week we posted a track-by-track reaction to the online leak of what we called "chunks of all [Hard Candy]'s completed songs." And boy, did the Madonna fans out there go ballistic.

Yes, we understand that the entire album has not leaked online. So let's really spell it out: these were reactions to the intro's and hooks of each track. So that means we listened to about one minute of every track and gave our "free-associative" response. Not an "official review," Madonna diehards. Dag, people!

And look, if you've heard the same snippets and disagree that much, write in and tell us why.

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Byrne

Today finds Pitchfork, the Daily News, and Stereogum all in a tizzy about David Byrne reuniting with Brian Eno for a new album. Well, media suckas, we actually gave you that scoop last month when Mr. Cindy Sherman played a set of new material with Norah Jones, Damien Rice, and some of the Scissor Sisters crew at this event.

And here's the thing: When MTV News got a listen at that show, it was clear that Byrne's new, Eno-rific tune marked a return to his earlier, world music-crazy days. Producer CJ Smith, who was on the scene, writes in:

That's all I remember thinking when hearing him play it: "Man, this sounds like some African sh-- again." I mean, it's sort of ironic after his public circle jerk of love for Vampire Weekend to return to that vein.

So...what? Would an amazing new, Afro-tinged album from Byrne 'n Eno effectively knock the legs out from under the boys of Vampire Weekend? What do you think?

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MadonnaHardCandyLeak

So as those of you under the legal drinking age are well aware, Miley Cyrus and her bud Mandy have posted a response to Madonna's "4 Minutes" video. And not only are the kids talking 'bout it, but it looks as if Madge herself may have been watching.

But something happened on the way to the party: While the Material Dance Queen was having a good time feeling relevant with today's youth, her album leaked. Well, most of it. And she is so going to kill somebody. Lola, get in your room and take the Malawian kid with you! I'm gonna eat a carb!!

Or something like that. Anyway, we're here in New York, faaaaaar away from her 46-bedroom LA cottage, so we're safe -- until her army of publicists finds us. But here at MTV News (well, at least at Newsroom), we can't help but give these tracks a listen. I mean, the ten Madonna fans who still haven't found the leak online (big chunks of all the album's completed songs) need someone to tell them about it. So, here's our free-associative track-by-track, after the jump. Read More...

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GnarlsCover

UPDATE: Yesterday we got all excited that Gnarls Barkley were giving away their album for free online -- backwards! Well, you've proven that y'all are smarter than us, as we've been schooled that it's actually The Odd Couple's instrumentals. This will be like a trip to Playland for DJ's around the globe...!

Again: One love, Cee-Lo & Danger Mouse!

And, you know, to make life easier for the less-than-tech-savvy among ya, we've got a seriously easy how-to on how to reverse the download after the jump. Read More...

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theheavyblog

Wading into the old school soul-friendly waters that have proved welcoming to Gnarls Barkley, Sharon Jones, and Amy Winehouse of late are some of Wino’s countrymen, The Heavy. The funked-out fivesome hail from Bath, England -- heretofore probably best known musically as the home of 80’s synth-pop duos Tears for Fears and Naked Eyes, and the adopted home of Peter Gabriel. But when I met them last month, it could not have been in a more American setting.

We were on the grounds of Austin, Texas music vet Hank Sinatra’s house, in front of which they played a sweltering afternoon set surrounded by sheep and chickens, beer and BBQ. The night before, it was bunnies for the Brits at the heavily attended Playboy “Rock the Rabbit” party, then they spent the early part of the day in true Texas fashion...shooting guns.

“Yeah, we feel acclimatized to Texas now, man. Magnums and M16’s,” said guitarist Dan Taylor. (They're not all that Bush/Cheney: the "shoot" was actually for a web magazine.) “Hey, Playboy parties and guns," Taylor added. "Welcome to Texas.”

Firearms aside, Taylor maintained that the band “feels more at home here in the States than we do in England, actually.” Maybe that’s because as eclectic as The Heavy are -- their new album Great Vengeance and Furious Fire can sound like a different band from track to track -- it’s all rooted in a classic American sound. “It’s all rhythm and blues basically,” singer Kelvin Swaby said. “But our thing is we can throw in some rock and throw in some hip-hop. It’s all about the bottom end, just very bass-heavy kind of music that will always have a sound-system vibe to it -- even if it’s a country song.”

After some banter about the merits of Taylor’s "bottom end" (um, ha), he added, “We’ve always maintained that each song’s got to be different, to keep things interesting. We’d get bored just playing one style.”

Not unlike the philosophy Cee-Lo and Danger Mouse subscribe to.

I’m telling you: The Heavy and Gnarls Barkley. Could make quite a pair, when Gnarls tours behind their new album -- right? Meantime, catch The Heavy when they kick off their own US tour in two weeks, a trek that will include a few more Playboy parties. Just to, you know, keep connected to American culture.

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