
On Wednesday night (August 11), Clay Aiken and Ruben Studdard brought their joint "Timeless" tour to New York's Hammerstein Ballroom at the Manhattan Center. Well, it was supposed to be at Hammerstein, but at the last minute it was moved to some secret ballroom on the seventh floor, which had the decor (and odor) of an untouched 1970s wedding reception hall.
It turns out the venue switch (due to low ticket sales) worked brilliantly for Clay and Ruben, since their show played like a long-lost Carol Burnett/Julie Andrews variety special. (With less of a budget.)
The setlist is set up like the tagline of Terri Garr's favorite radio station: Featuring the hits of the '60s, '70s, '80s, '90s and today! Except scratch the "today" part. The only songs from this decade were their debut schmaltzy "Idol" singles, performed in an opening "battle" mash-up that winked at the fan-wars that erupted after Ruben won the second season of "Idol." (They didn't even perform their post-"Idol" hits — I guess Clay's "Invisible" and Ruben's "Sorry (2004)" were deemed too musically adventurous for this tour.)
"Timeless" is wall-to-wall decade medleys. I counted 69 different songs represented in the two-hour show. And most of them are tracks you'd find on one of those cassettes your parents used to buy at a car wash: "Harper Valley PTA," "Turn the Beat Around," "When I See You Smile," "Caribbean Queen," "Can't Fight This Feeling," "Basically Every Song That's Ever Appeared On A Time-Life Compilation And/Or '80s Movie Soundtrack."
In between sets, Clay and Ruben delivered their finest stand-up material, whether it was bantering about 1960's race relations (!!), joking about Clay's sexuality (!!!) or performing endless sketches about "Pastor Ruben" curing Clay's "lack-of-rhythmitis." (!!!!!!!!!!!)
Feast on these sample exchanges:
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