CHICAGO — Who doesn't like to hit "shuffle" every once in a while? Sure, playlists are cool, but sometimes when your friends come over, it's also fun to spin the dial and see what comes up, maybe impress them with anything from Miles Davis to My Morning Jacket, Britney Spears to Bon Jovi.
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So I decided that my first day of Lollapalooza would be random, a musical buffet that went from hippie pop to British rap, indie rock to electro, with a few stops at everything in between. It began with England's Vaccines, who kicked off the first day of the three-day music orgy on one of the main stages with their ear candy coital anthem "Post Break-Up Sex." Fittingly, I took in their set while chatting with "120 Minutes" host Matt Pinfield, who agreed that the 'Cines sound was a perfect throwback to the good old days of Brit pop and 1980s indie rock.
Wayyyy at the other end of the spectrum (and field) was the hip-shaking boogie of Grace Potter and the Nocturnals, who were serving up a mellowed-down easy vibe with "Goodbye Kiss," a smooth slice of hippie rock that fit the mood of the hazy early afternoon. Potter, as usual, in high heels and a spangly, barely there microdress that ended around where it should have begun, wailed like a new-age Janis Joplin on "2:22" and strapped on a flying V guitar for the band's breakthrough hit "Paris (Ooh La La)," a boogie pop-blues tune that got the audience doing the scarecrow dance.
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Things came down a notch when hometown indie rockers the Smith Westerns took an adjacent stage, playing a set of feathery, soothing tunes like "Fallen in Love," a far cry from the hyped-up, DJ-inspired beats served up a short while later by another Chicago act, former Fall Out Boy bassist Pete Wentz's new band, Black Cards.
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