Guns N Roses

By Zachary Swickey

Ladies and gentleman, hell has possibly frozen over. Original Guns N’ Roses keyboardist Dizzy Reed claims that all original members of the iconic group will reunite at this year’s Rock and Roll Hall of Fame induction ceremony, talking place April 14 in Cleveland.

Reed discussed the jaw-dropping possibility with Billboard, saying, “I know all the original band is going to be there. I don’t’ know exactly what’s going to go down. It’s one of those things I’m sure will all come together and be really cool. I’m just going to go in with a good attitude and a clear head and grateful heart.”

While this could possibly induce hysterical celebration for many fans, Reed did not specify that the group will perform together, rather that they’ll simply all appear. Fans have been clamoring for a proper reunion since the classic lineup of the group – Slash, Axl Rose, Izzy Stradlin, Gilby Clarke and Duff McKagan – fell apart in the mid-90s. While many members have seemed open to doing something, singer Axl Rose has long been the main antagonist keeping that from happening. Read More...

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The Rock and Roll Hall of Fame has announced its 2012 inductees, a list that includes the usual spate of HOF-y names (the Small Faces, ‘60s singer Donovan, blues guitarist Freddie King, etc) plus a handful of artists that made their mark in the MTV era: the Beastie Boys, the Red Hot Chili Peppers and Guns N’ Roses.

And while none of those latter three are exactly surprising (though, we gotta admit, the Cure, who were also in the running this year but didn’t make the cut, were robbed), what may transpire when they’re enshrined at the Hall’s annual induction ceremony — set for April 14 in beautiful Cleveland — could shock the rock world to its very core. Because, as is tradition, the honored acts will take the stage to perform a medley of their biggest hits, and while we’re reasonably sure what will happen when the Beasties and the Peppers do their thing, when it comes to GN’R … well, let’s just say all bets are off.

Unless you’ve been off the grid for most of the past two decades, you are probably aware that things aren’t exactly rosy in the Guns camp … and haven’t been for quite some time. The majority of the acrimony has been evenly split between frontman/mastermind Axl Rose and iconic top-hatted guitarist Slash (though, given how many folks have come and gone from GN’R’s lineup in the time since, there’s plenty of bad blood to go around). The two have traded barbs ever since Slash left the band in 1996, and though Guns continues to tour, many of their diehard fans believe that they’re just not the same without his masterful axe work and mercurial stage presence (no disrespect to the dude who plays the guitar shaped like a foot, of course). It’s been nearly 20 years since Slash has performed with the band, though, at April’s HOF induction ceremony, that could change. And yes, the Rock Gods will be smiling if it does.

Then again, it’s no sure bet that Slash and Axl will be able to bury the hatchet … after all, in the grand history of the Rock Hall ceremony, there’ve been plenty of examples of bands that just couldn’t get past the hatred — or the past, for that matter — when it came time to take the stage. And though we’re hoping the same doesn’t happen with GN’R, here’s a look back at some of the most acrimonious, disharmonious and downright uncomfortable moments in Rock Hall history. Read More...

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Each of the songs on Taylor Swift's upcoming album Speak Now (which will be in stores next Monday, October 25) follows a concept, as the individual tracks are all about a single person or encounter in Swift's life. The latest track to sneak out into the Internet ether is "Mean," a scathing country track that sees Swift fighting back at her critics.

On the track, she puts a critic in his or her place with cutting words. "Drunken rumbling on about how I can't sing / But all you are is mean/ And a liar/ And pathetic/ And alone in life/ And mean," she sings, likely referencing the negative attention she received after her problematic performance at the 2010 Grammy Awards. The rest of the lyrics are just as biting, and though the song itself is a pleasant country shuffle (complete with banjos), the content of the lyrics represents the most bile Swift has ever dished out.

Of course, Swift is hardly the first musician to give it back to her critics in song form. The history of rock and roll is littered with angry artists attacking critics (sometimes even specific critics) when they feel they have been slighted or unfairly criticized. Here are the best anti-critic songs in rock history.

Guns N' Roses, "Get in the Ring"
This deep cut from Use Your Illusion II finds Gunners frontman Axl Rose using some colorful language to take down a whole series of writers and publishers he finds abhorrent. He is particularly peeved at the rock magazine industry, specifically going after people from Hit Parader, Kerrang and Spin. The latter gets an extra special message from Mr. Rose: "Bob Guccione at Spin — what, you pissed off because your dad gets more p---y than you? F--- you! Suck my f---ing d---!" It's fascinatingly filthy, and it's Rose at his best.

M.I.A., "I'm a Singer (Haters)"
Earlier this year, international underground pop terrorist M.I.A. got involved in a pretty tepid feud with journalist Lynn Hirschberg, who wrote a feature about M.I.A. for The New York Times Magazine that the singer perceived as being negative. In retaliation, M.I.A. tweeted Hirschberg's phone number, encouraged people to bother her and then recorded a quick diss track as a public takedown. It came across less as an artist standing up for her work and more as a petulant child whining about not getting her way.

Jay-Z, "99 Problems"
Jigga clearly has a lot of problems, so he can't devote the entire song to his dislike of music scribes. Read More...

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On this day in 1965, Saul Hudson was born in Hampstead, England. Later, he came to the United States and became world-famous as one of the greatest guitar players to ever live, and he did it under one of the most killer stage names in the history of rock: Slash.

No matter how he celebrates his birthday, he can stand by the fact that not only does he have a handful of releases in his back pocket that are unequivocal classics (Guns N' Roses debut Appetite for Destruction could easily be considered one of the best rock albums of all time, mostly thanks to his muscular riffs and adroit solos), but he's also still making great music. Earlier this year, he dropped his first solo album, a collection of awesome, stadium-sized rock tunes featuring a revolving cast of guest vocalists (everybody from Ozzy Osbourne to Chris Cornell to Kid Rock to Fergie lent their pipes).

But while Slash has remained on the cutting edge of rock for nearly three decades, one of his birthday wishes is undoubtedly some kickass riffs from other people. When Slash stopped by the MTV News office last month, he named off a handful of groups who have impressed him recently (including epic Australian monsters Karnivool), but when asked if he thought we were in the middle of a good era for rock, he was frustrated and frank. "It's a lousy era for rock," he said. "Are you kidding?"

Slash added that he did think that the music industry was cyclical, and that it was only a matter of time before somebody managed to figure out something unifying and galvanizing. In the meantime, he'll continue doing exactly what he has been doing for years: Turning the volume on his amp way, way up and cranking out some of the most classic riffs in history.

What would you get Slash for his birthday? Let us know in the comments!

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It's an odd weekend at the cinema (we here in the MTV Newsroom have to admit that we're a little tired of waiting for "Inception" and "The Sorcerer's Apprentice," but wait we shall), but that doesn't mean there isn't a new cauldron of magic movie stew out there to entertain us. Of course, fans of animation and "The Office" will be flocking to "Despicable Me," while anybody looking for a note-perfect lesbian domestic drama should be checking in with "The Kids Are All Right." But you'll most likely find us in line for "Predators," the fifth flick to incorporate some of the coolest intergalactic beasties this side of George Lucas' over-active imagination.

"Predators" stars Adrien Brody as one of a handful of dangerous killers who find themselves in the middle of a strange jungle being hunted by Predators (who have stuck with their dreadlocks-and-sharp-jaw look). Their one mission? Survive the pursuit of some of the universe's most feared killers. Who will survive, and what will be left of them?

In order to get ready for such an action-packed thrill ride, we have prepared the following video playlist. There you'll find a dozen tunes ideal for getting you ready for your new surroundings (Guns N' Roses' "Welcome to the Jungle," Late of the Pier's "Space and the Woods") and the enemies that will be trying to off our heroes (the Automatic's "Monster," Rob Zombie's "Superbeast," the Red Chord's "Dread Prevailed"). It's a lively mix that should get your adrenaline pumping in time with Brody's.

But we begin with a track that very well could have served as the theme song to "Predators." Of course, we're talking about Mogwai's "Hunted by a Freak."

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Eminem's new single "Not Afraid" is a fantastic return to form for Slim Shady, as it does little more than lay a beat down and let him spit crazy, passionate verses over it. The video, which premiered over the weekend, also taps into a visual place that Eminem has not tapped into in several years. The aggressive, serious nature of the song made him leave behind the wacky trappings of his funny videos and focus on intensity and visual poetry (the sort of thing he used to do with clips like "Stan" and "Lose Yourself"). "Not Afraid" casts Eminem first as a man wandering the streets and then as a Neo-like superhero looking for redemption.

But the whole thing starts on a rooftop in Newark, New Jersey, which brings to mind a number of other famous clips that heavily feature bands playing on the tops of buildings. "Not Afraid" immediately jumps onto this list.

Collective Soul, "The World I Know"

The video for this moody ballad (from the grunge-era rockers' self-titled second album) features a businessman in a suit who slowly contemplates his own doom as he walks to the top of a building in a city. But just as he is about to jump, he is saved by the grace of a bird. Rather than send his body into oblivion, he sheds a few tears and tosses a load of cash instead.

U2, "Where the Streets Have No Name" Read More...

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Late Thursday night (March 11), Lady Gaga finally unveiled "Telephone," one of the most hotly-anticipated music videos in recent memory. The epic clip runs nearly 10 minutes and features a super-colorful, quick-cutting narrative that follows Gaga as she goes to jail, extracts revenge on a diner full of patrons and goes on a general mayhem spree with the help of Beyoncé and the giant yellow truck from "Kill Bill." There's also lots of cursing, all types of wacky fashion, fistfights, a poison recipe, plenty of athletic dancing and a cliffhanger at the end. It's unlike any other music video in recent memory, even surpassing past Gaga efforts like "Paparazzi" and "Bad Romance."

At the same time, it does conjure up memories of Guns N' Roses' "November Rain," a similarly lengthy video that acted as the second entry in a trilogy of cinematic clips. ("Telephone" also acts as a sequel to "Paparazzi" and sets up a third clip at the end.)

When Guns N' Roses released Use Your Illusion I and Use Your Illusion II back in 1991, frontman Axl Rose wanted to create something truly unprecedented when it came to music videos. Read More...

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On Wednesday (February 10), the MTV Newsroom blog celebrated the anniversary of the release of The College Dropout, the watershed debut from Kanye West. It generated quite a bit of discussion here in the Newsroom and among the followers of MTV News on Twitter, mostly surrounding a key question: Is The College Dropout the best debut album of all time?

It's a distinct possibility. Obviously West made a big commercial smash on the back of hits like "All Falls Down" and "Slow Jamz," and The College Dropout was almost universally adored by critics (it has a Metascore of 88, which suggests "Universal Acclaim"). But the thing that makes the album truly remarkable is how completely it presents both West's sound and his point of view. He arrived fully formed and made an immediate impact because of it.

Of course, there are plenty of other candidates for the prize. Here are a handful of other nominees that deliver in the same way that The College Dropout did.

The Notorious B.I.G., Ready to Die
Like West, Biggie Smalls arrived on the scene already fully-formed. The man born Christopher Wallace had a clear point of view that he was able to deliver in a distinct way. When you add in the best production that Diddy has ever done, you get a total package that ranks up there with the best hip-hop records in history.

Oasis, Definitely Maybe
As the rest of their career has taught us, Liam and Noel Gallagher are only really good at one thing, but on Definitely Maybe, they did that one thing better than anybody ever had before. Big, loud, heavily melodic and decidedly English, Definitely Maybe basically 11 singles, as every single one sounds great when cranked up on the radio.

The Jimi Hendrix Experience, Are You Experienced?
For a guy who experimented as much as Hendrix did, his first (and best) album is an incredibly confident work. Read More...

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On New Year's Day, Soundgarden put aside a decade-plus of acrimony (and Audioslave) and announced that they were re-uniting, for … well, they didn't exactly say why they were doing it, but we'll assume it had something to do with the promise of plum festival headlining slots, sold-out arena shows and, of course, boatloads of cash. Because, really, we can't see any other reason why they'd get back together.

Make no mistake about it: Though Soundgarden's 1997 split lacked the fireworks with which most mega-successful, multi-platinum rock acts tend to implode, it was by no means a friendly thing. Worn out by years on the road and weakened by the internal struggle between frontman Chris Cornell and guitarist Kim Thayil, Soundgarden played their final gig on February 9 in Honolulu, Hawaii, walked off stage and simply disbanded. Since then, nearly every member has said repeatedly that a reunion would never happen, and the rift between Cornell and Thayil appeared to widen with each passing year, becoming a certifiably gaping chasm last year, when three-quarters of the band (Thayil, bassist Ben Shepherd and drummer Matt Cameron) appeared on stage together to perform a handful of Soundgarden songs … with burly man-mountain Tad Doyle singing lead.

The message to Cornell was clear: You can have your Audioslaves and Timbaland-produced solo albums and we'll take the Soundgarden stuff. And it seemed to be proof-positive that a Soundgarden reunion would never, ever happen. But somehow — perhaps aided by an impromptu Temple of the Dog reunion at a Pearl Jam show late last year — both sides managed to find some common ground. And now, Soundgarden is back, and apparently, everyone is on board.

And while, yeah, we're pumped for the reunion, we're also left a bit disillusioned by it. It means there's now one less band in the "Never Again" club, that exclusive collection of legendary groups that will never — under no circumstances whatsoever — reunite. For years, we had believed that Soundgarden would never get back together. It was part of their legacy, right up there with the less-than-satisfying final album (1996's Down on the Upside) and the time we all realized that Cornell wasn't going to grow his hair long again. There was a rather perfect imperfection to their final days, something strangely fitting about they way they simply petered out. They were a band that rode the wave, made it huge, then called it quits. It was cyclical. It was part of life.

Quite simply, we need more of that. In a world of now now now, it's somehow perversely satisfying that there are some groups who are seemingly content just to let us wait forever. And with each passing year, as bank accounts dwindle and festival lineups expand, the list of "Never Again" bands continues to dwindle. So, in celebration of those unmoved by lucrative deals and nostalgic slurping, we've decided to compile a list of those acts. Here are five groups you'll never, ever see reuniting. You know, probably.

The Smiths
The much-celebrated Manchester mopers split in 1987 amid dissension between Morrissey and guitarist Johnny Marr, and have spent much of the past three decades turning down offers to reform. There have been lawsuits — in 1996, drummer Mike Joyce and bassist Andy Rourke contended they were owed royalties — and each member has since gone to pursue musical endeavors of their own (Morrissey continues to record solo albums, Marr joined Modest Mouse and the Cribs), but the one thing they seemingly all can agree on is that the Smiths are gone forever, with Morrissey famously opining that he'd rather "eat [his] own testicles" than reform the band. The offers will continue to pour in, but we're willing to bet that the Smiths will remain on the sidelines, graciously, swooningly so.

ABBA Read More...

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Miley Cyrus may not have ever heard a Jay-Z song, but she apparently owns a copy of Open Up and Say ... Ahh! The 17-year-old singer has recorded a cover of Poison's "Every Rose Has Its Thorn," the smash power ballad from 1988 (apparently with some assistance from songwriter, band frontman and "Rock of Love" star Bret Michaels). It's a somewhat logical choice for Cyrus, as it has the same sort of arena rock feel and subtle country vibe that informs her best ballads (like "The Climb"). According to a report in People magazine, the track will appear on Cyrus' upcoming new album, which she says may be the last record she puts out before taking a break from music.

While Cyrus is entitled to some time off (it seems like she's been working constantly for two straight years), she shouldn't stop at "Every Rose Has Its Thorn." Rather, she should record an entire album's worth of hair metal songs. Cyrus could bring a fresh perspective to some songs that have gotten a bad rap because they've been associated with a genre of music that has aged pretty poorly. What could be a better way to reintroduce the world to the underrated work of Enuff Z'Nuff than through the conduit of Cyrus' pipes? Check out the video wishlist below, which kicks off with Guns N' Roses' "Paradise City," a great song that is essentially "Party in the U.S.A." with the volume turned all the way up. There's also Kiss' "Lick It Up," Cinderella's "Nobody's Fool," "Night Ranger" by Sister Christian and Faster Pussycat's "You're So Vain." Bang your head, and then encourage Cyrus to do the same.

What do you think: What hair metal tunes do you want to hear Miley cover? Or should she stick to her own material? Leave your thoughts in the comments or head over to Your.MTV.com to make your voice heard!

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