Michael Jackson's Kids

The late Michael Jackson's children Prince, 14, Paris, 13, and Blanket, 9, celebrated their father today by helping stamp his famed sequined glove and a pair of his shoes in cement outside Grauman's Chinese Theatre in Hollywood.

Justin Bieber and "Thriller" producer Quincy Jones hit the stage in front of the Hollywood landmark to speak about the King of Pop's influence. Tito, Marlon, Jackie and Katherine Jackson all attended the ceremony, which featured special performances by the cast of "Glee" and the Jackson-based Cirque Du Soleil show "Immortal." The ceremony was timed to coordinate with "Immortal's" first dates at Los Angeles' Staples Center. "Glee" will air its Michael Jackson tribute episode next week.

Jackson's children have been in the public eye far more in the years since his death, appearing at the Grammy Awards to accept an honor on behalf of their father and at the "Immortal" premiere in Canada. Paris Jackson appeared on "The Ellen DeGeneres Show" in December to talk about her role in the film "Lundon's Bridge and the Three Keys." She told the host that her father helped her prepare for the role. "We would do improv together," Jackson told DeGeneres. "He would give us little scenarios. He would (say), 'OK, in this scene you're going to cry' and I'd cry on the spot."

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By Jonathan Mussman

"Michael Jackson Immortal," the latest Cirque du Soleil collaboration, had its US premiere Saturday night at the Mandalay Bay Arena in Las Vegas. On hand to celebrate were a host of major celebs as well as Katherine, Tito and Jackie Jackson and Michael's kids, who got a full backstage tour prior to the performance. Katherine and the kids entered the arena to a standing ovation from the crowd. "Michael would definitely be proud," Jackie Jackson mentioned backstage following the performance. "He always loved Cirque performances, this show made the most sense for his fans," added Tito Jackson.

In questioning how much of the "This Is It" concert segments were included in "Immortal," Travis Payne, Michael's long time choreographer, added, "All of the iconic 'chunks' as we know them including 'Thriller,' 'Smooth Criminal' and some things from Dangerous were not changed and we took those moments and brought them to this show and surrounded them with new ideas." A few of the original "This Is It" videos and dance segments were included, helping make this arena-based show feel more like an actual MJ concert.

Unlike most highly innovative and creative Cirque shows, "Immortal" relies heavily on dancing and music elements in addition to the jaw-dropping aerial, trampoline and acrobatic acts we expect. Everything was set to an absolutely amazing MJ mash-up soundtrack mastered by musical designer Kevin Antunes, who felt like a kid in a candy shop when producing the score (album now available). "I was given full access to the MJ library with no restrictions," he told MTV News. Working with family members, the estate and Sony archivists, Antunes was able to include legendary songs such as "Thriller" and "Billie Jean" as well as rarely (if ever) heard tracks from ABC and a Spanish-sung version of "I Just Can’t Stop Loving You." All of Michael’s leads are from recordings while the back-up and instrumentals are performed live. Read More...

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Conrad Murray

A verdict in the case against Dr. Conrad Murray, the late Michael Jackson's personal physician, was just revealed. Following six weeks of testimony from 49 witnesses, the seven-man, five-woman jury found Murray guilty of involuntary manslaughter in the untimely and tragic death of the King of Pop.

>>>Michael Jackson Doctor Trial: Sizing Up Defense, Prosecution Cases

Murray's trail has been under an expected-but-still intense media spotlight from the beginning. The details of the trial have been dissected publicly, with lawyers and other legal experts weighing in constantly on the events of each day.

>>>Michael Jackson Doctor's Trial: A Timeline

So, given that we're certain you are pretty familiar with the major facts of the court proceedings, we were curious about your thoughts on the verdict.

>>>Why Did Michael Jackson's Doctor Talk To Police?

Let us know if you agree or disagree with the jury's decision by voting in our poll below.

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By Zachary Swickey

Arguably one of the most iconic items in musical wardrobe history, the red and black calfskin jacket that Michael Jackson wore in his classic “Thriller” music video (above) has sold at auction for an astounding $1.8 million.

Darren Julien, president and CEO of Julien’s Auctions in Beverly Hills, states the jacket was purchased over the weekend by Milton Verret, a commodities trader from Austin, Texas. Verret plans on sending the jacket on tour and using it as a fundraising tool for children’s charities. In addition, some of the auction’s proceeds will benefit the Shambala Preserve, a large cat sanctuary located in California that currently cares for two tigers previously owned by Jackson.

The $1.8 million price tag trumped the original estimated auction price of $400,000, and the two-year anniversary of MJ’s death is likely the reason. If you think almost two million bucks for a 30-year-old jacket is ridiculous, here’s a sampling of some of the crazy and pricey music memorabilia that has hit the auction block.

John Lennon’s 1965 Rolls Royce Phantom V - $2.3 million

Any item that has even been touched by John Lennon of The Beatles is worth a pretty penny. A 1965 Rolls Royce Phantom V limousine would be pricey today by any standard, but when previously owned by Lennon, it catapults in value exponentially to a pricey $2.3 million. That’s how much his wildly painted, psychedelic ride sold for at a 1982 auction (adjusted for inflation, it would likely go for several times that today). That’s a little bit more than the $2.1 million that “Faith” singer George Michael paid in 1990 for the cigarette-burned piano Lennon composed “Imagine” on.

Elvis Presley’s hair - $115,000

Elvis Presley’s barber must have been an interesting man or simply knew he was regularly hedging a gold mine every time he snipped some of The King’s hair. A few tresses of Presley’s hair sold for a freakish $115,000. Apparently, the hair-auctioning-biz is a legit market to tap into.

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On Thursday, much to the delight of Stanley Tucci enthusiasts and students of meta-comedy the world over, the Beastie Boys premiered a teaser clip for "Fight For Your Right Revisited," their short film that chronicles the events that transpired following their epochal 1987 video of the same name (or, as the B-Boys put it, "the long-ass video thing.")

Featuring appearances by pretty much everybody — Will Ferrell, Danny McBride, Jack Black, Jason Schwartzman, Ted Danson, Susan Sarandon, the aforementioned Tucci and Seth Rogen, to name just a few — it's most certainly a celebrified thing, but it also manages to rise above the usual cameo crap-heap by being really clever, too, filled with wink-wink nods to the Beastie's past, Ferrell's legendary "More Cowbell!" "SNL" sketch, and even the late, lamented "Arrested Development" ("Come On!")

In short, it's everything you could possibly want from a celeb-heavy clip, but is that enough to earn it a place amongst the all-time best? Here's a look at some of its competition ... the greatest celebrified music videos of all time:

» Vampire Weekend, "Giving Up The Gun:" Featured guests include the RZA, Lil Jon, Joe Jonas and, most memorably, a flask-guzzling Jake Gyllenhaal, all of whom channel their inner McEnroe in this tennis-heavy clip.

» The Jon Spencer Blues Explosion, "Talk About The Blues:" Sure, the JSBX star in this video (in some sort of murder-mystery/heist sub-plot), but the real stars are the folks they got to play the band themselves — Winona Ryder, Giovanni Ribisi and John C. Reilly — who positively kill it here, particularly Ryder, who screeches and wails and actually looks like Spencer himself.

» Jamie Foxx, "Blame It:" A glossy, flossy clip that's most memorable for the inexplicable cameos it features, including Gyllenhaal (again!), Forest Whitaker, Samuel L. Jackson, Quincy Jones and, for reasons totally never explained, Ron Howard. None of them actually do much aside from post up in the club, but we do learn that, for a 57-year-old with male-pattern baldness, Howard has a surprising amount of swag.

» Moby, "We Are All Made Of Stars:" The celebrity video as social commentary, featuring a host of Hollywood F-Listers — Kato Kaelin, Vern Troyer, Corey Feldman, Gary Coleman, Todd Bridges, and Ron Jeremy, to name just a few — hard-living rockers like Tommy Lee and Dave Navarro, and glamorous folks like Molly Sims and Dominique Swain (and, of course, the Toxic Avenger), each fighting to keep their 15 minutes ticking. Deep indeed.

» Michael Jackson, "Remember The Time:" Like many MJ clips, this one is a big-budget, big-name affair, loaded with special effects, elaborate sets, and, of course, head-scratching celebrity cameos, including Eddie Murphy and Iman as Egyptian royalty, Magic Johnson and Tiny "Zeus" Lister. Oh, and Jackson appears as a hooded wizard with the ability to disappear into a cloud of dust. Y'know, just your average, run-of-the-mill thing.

» Johnny Cash, "God's Gonna Cut You Down:" Filmed three years after the Man in Black's passing, this somber clip is nothing but celebrity cameos. In order: Iggy Pop, Kanye West, Chris Martin, Kris Kristofferson, Patti Smith, Terrence Howard, Flea, Q-Tip, Adam Levine, Chris Rock, Justin Timberlake, Kate Moss, Sir Peter Blake, Sheryl Crow, Dennis Hopper, Woody Harrelson, Amy Lee, Tommy Lee, the Dixie Chicks, Mick Jones, Sharon Stone, Bono, Shelby Lynne, Anthony Kiedis, Travis Barker, Lisa Marie Presley, Kid Rock, Jay-Z, Keith Richards, Billy Gibbons, Corinne Bailey Rae, Johnny Depp, Graham Nash, Brian Wilson, Rick Rubin, Owen Wilson and Jerry Lee Lewis. Phew.

» Michael Jackson, "Liberian Girl:" The celebrity video to end all celebrity videos, Jackson showed just how much clout he truly possessed by lining up cameos by basically every gigantic star of the late '80s, a list that included everyone from Malcolm-Jamal Warner, Brigitte Nielsen, Carl Weathers, Paula Abdul and Whoopi Goldberg to Olivia Newton-John, John Travolta, Danny Glover and Richard Dreyfuss. Shoot, even Steven Spielberg shows up here, and he didn't even direct the thing. More proof that, at his peak, no one was as powerful as the King of Pop.

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Has there ever been a more hotly-anticipated NBA trade deadline than this year's? In the midst of one of the greatest seasons in the history of the National Basketball Association (with as a dozen teams who could make a legitimate claim on the championship this year), there have already been a handful of blockbuster deals that have sent top-level superstars to new locales. So far, the centerpiece deal sent Carmelo Anthony (and a host of others, including point guard Chauncey Billups) to the New York Knicks, but there are still a number of deals that are happening or could happen before the door closes on all trade activity at 3 p.m. Eastern.

In a somewhat shocking move, the Los Angeles Clippers shipped Baron Davis to the Cleveland Cavaliers in exchange for Mo Williams late Wednesday night (February 23). And though they lost out on their quest to get Anthony, the New Jersey Nets still walked away with a superstar in Deron Williams. Plenty of other teams are in talks to make a big deal before the deadline to shore up their rosters for a run at the playoffs, including three of the elite teams in the Eastern Conference (the Boston Celtics, the Chicago Bulls and the Miami Heat). The Celtics could use an extra big man or help on the perimeter, the Bulls need some size and the Heat could do with a guard to back up the injury-prone Dwayne Wade. There are plenty of rumors flying around about names that are on the table (Shane Battier, Nate Robinson, Gerald Wallace, Kirk Hinrich, Jonny Flynn, Raja Bell and a host of other role players could all have new homes by this evening), but there are so many variables that go into NBA trades that it's possible none of those deals could actually happen between now and the deadline.

So while you chew your nails wondering if your favorite team is going to pick up a name for the future or deal away the player you love the most, crank up Michael Jackson's "Jam," which features a visit from Michael Jordan (who never lost any sleep on trade deadline day) and as insistent a beat as Teddy Riley ever constructed. It's the sound of the hardwood, and the sound of getting dunked on. Jam!

Who made the best trade deal in the NBA? Let us know in the comments!

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This weekend is going to be a massive one for the worlds of music, television and sports. The Super Bowl is finally here, and the fact that the Pittsburgh Steelers and the Green Bay Packers will be squaring off against one another to determine who is this year's NFL champion is only about the fifth-most important thing happening over the next few days. In addition to the game, there will be the headline-grabbing advertisements (including a number of movie trailer premieres and appearances by both Justin Bieber and Eminem), the new episode of "Glee" that will follow the big game (which features the much-talked-about "Thriller" sequence), the national anthem care of Christina Aguilera (which bodes well for the Steelers) and the fact that this could be the most-watched American television broadcast in history (besting last year's Super Bowl, which drew 106.5 million viewers).

There's also the halftime show, which is always one of the biggest spectacles in music in any given year. This time around, the Black Eyed Peas will take the stage at Cowboys Stadium in Arlington, Texas, which guarantees that the show should be rousing, loud and full of hits. The Peas represent a departure from the recent logic in booking Super Bowl halftime shows, which have skewed more toward classic rock acts in the past few years.

But what do the Peas have to live up to? For the Super Bowl's first 25 years or so, the halftime show was made up mostly of marching bands and wasn't considered to be that big of a deal. But in 1991, the NFL came up with the great idea to have a giant pop or rock act take over the show (which makes the performer that year — which happened to be New Kids on the Block — the Nirvana of the Super Bowl). Who has been the best? Here is the list of the greatest Super Bowl halftime shows of the modern era (1991 to 2010) in descending order (with a few thoughts on the top six).

U2 (Super Bowl XXXVI, 2002)
Though the theme was beyond somber (the show operated as a tribute to the people who lost their lives on September 11, 2001), U2 proved why they were the biggest band on the planet. In a moving performance, the band blew through hits new and old ("Beautiful Day," "Where the Streets Have No Name") and projected the name of the dead behind them.

Michael Jackson (Super Bowl XXVII, 1993)
For anybody watching in 1993, Jackson's performance of "Heal the World" became instantly iconic and set the bombast bar extremely high for future halftime shows.

Prince (Super Bowl XLI, 2007)
Prince did it with huge hits ("Purple Rain"), a surprise cover (Foo Fighters' "Best of You") and scorching musicianship (probably the best guitar solo in Super Bowl halftime history). Also, he did it in the pouring rain, which made it even more majestic.

Bruce Springsteen (Super Bowl XLIII, 2009)
Basically did everything Prince did, except didn't have to fight the weather. Springsteen's performance is also notable because the frontman did his signature knee slide across the stage and collided with a camera, a surreal sight (especially in HD).

New Kids on the Block (Super Bowl XXV, 1991)
It was big, it was fun, it was bombastic, it was for a good cause (it was in honor of the children of armed forces members serving in Operation Desert Storm) and it featured an appearance by Mickey Mouse. What more could you want?

Paul McCartney (Super Bowl XXXIX, 2005)
It's pretty easy to have a great show when you've got a bunch of Beatles songs at your disposal, and McCartney sure knows how to handle a stadium. This is one of the underrated greats.
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One of the coolest guys ever to pick up a guitar and crank up an amplifier celebrates his birthday today, as Eddie Van Halen — the six-string Samurai who has been the driving force behind Van Halen for three decades — is now 56 years old. Eddie has had an incredible roller coaster ride over the past few years, but at the moment, he seems to be back in the driver's seat.

When Van Halen first landed on rock radio in the 1970s, there really hadn't been anything like it. Between the thudding rhythms of Alex Van Halen, the dreamy backing vocals and fierce low end of Michael Anthony and the dynamic personality that was frontman David Lee Roth, Van Halen were primed to become the biggest rock band in the world (and that's exactly what happened, really). But it was Eddie's amazing fret work that really made heads spin and jaws drop. He managed to play harder, faster, smoother and just better than perhaps anybody who has ever picked up a guitar. He invented a whole new style and took it to the outer reaches of hard rock.

The legacy of Van Halen is certainly set in stone, as they have no fewer than a dozen tracks from the Roth era that are classic rock staples. And though he was certainly a polarizing force, you can't argue with the fact that Sammy Hagar's version of the band was even bigger. Between the aborted Roth reunion, the short-lived Gary Cherone experiment and Eddie's health problems, the band had a bit of a rough decade. But now they're back, recording with Roth again and still manage to absolutely cook on stage.

One of Eddie's greatest legacies actually has nothing to do with Van Halen, as he provided the blistering guitar solo on Michael Jackson's "Beat It." In honor of Eddie's birthday, crank up "Beat It" one more time.


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Every day a multitude of stars wander through the halls of MTV News to talk about their latest projects and goof around with our intrepid correspondents. But sometimes we catch stars elsewhere, and that's why we put together Spotted!, a daily compendium of stars in the wild.

Michael Jackson passed away back in the summer of 2009, but he has remained in the news since then. Just last month, Jackson released a controversial posthumous album called Michael, and this week saw the start of the trial of Dr. Conrad Murray, who was Jackson's personal physician who was with the singer when he passed. In a show of support, most of the Jackson clan attended Murray's preliminary hearing at a court house in Los Angeles. Michael's parents Katherine and Joe Jackson were both there, as were siblings LaToya, Randy, Jackie and Janet. The latter looked especially sharp, dressed in a power suit and nearly clean shaven. Evidence in the Murray hearing will continue to be presented today and may go through next week.

The Jackson family weren't the only celebrities taking in the air, as former Oasis frontman (and current Beady Eye singer) Liam Gallagher helped open his own Pretty Green clothing store in Glasgow, Scotland, while Jon Bon Jovi braved the cold in New York City. Click here for these photos as well as the entire "Spotted" archive, which features over 500 candid shots of stars like Britney Spears, Madonna, Taylor Swift, Katy Perry, Eminem, Lady Gaga, Jay-Z, Justin Timberlake, Rihanna, Justin Bieber, the Black Eyed Peas and the Jonas Brothers!

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There are so many non-music elements attached to Michael, the first posthumous collection of new material from Michael Jackson, that it's almost impossible to review simply as a new piece of music. Plenty of words have already been exchanged about the album's legitimacy (many declared that they were certain that Jackson's voice was not on the single "Breaking News," for example) and about the readiness of these songs (many have pointed out that they were probably never previously released for legitimate reasons). Plus, it's awfully difficult to release much of anything once you've already dropped classics like Thriller and Off the Wall, something that Jackson struggled with for most of the latter part of his career.

Still, taken in a vacuum, Michael appears to be an interesting (if not entirely satisfying) entry in Jackson's long and storied history. Many of the reviews seem to exist in a very neutral place, as though most were expecting the album to be much worse than it actually is. For example, the venerable Stephen Thomas Erlewine gave the album two-and-a-half stars on AllMusic.com, summing it up thusly: "Michael is often tacky but considering how garish Jackson's taste could be, it winds up seeming almost respectful. At the very least, the album doesn't tarnish his legacy, although it adds nothing to it either."

In her review for Entertainment Weekly, writer Leah Greenblatt came to a similar conclusion. "As musical epitaphs go, Michael is a solid album, arguably stronger than Invincible and certainly no great affront to his name. But it can be hard to listen and not wonder what he would have done differently — or if he would have wanted us to hear it at all."

Greg Kot of the Chicago Tribune also notes that, "One wonders what the perfectionist in Jackson would've thought of the music released in his name on Michael ... It's not that Michael is embarrassing, it's just below par, a warehouse for songs that languished in the vaults for decades because they didn't quite measure up."

At least one critic — the Associated Press' Nekesa Mumbi Moody — was extremely enthusiastic about the material on Michael. "Michael should then be judged for what it is: a snapshot of Jackson's musical thought process — Photoshopped and airbrushed, but still enjoyable," wrote Moody. "Michael does nothing to detract from Jackson's amazing legacy and, if anything, gives us a little bit more to cherish, however imperfect."

But most critics seem simultaneously relieved that the album isn't a total disaster and let down that it isn't as good as some of Jackson's best work (a strange tone, indeed). "Only the surprisingly gutsy 'Hollywood Tonight' does anything to assuage the feeling that, quite aside from his personal life, Jackson had been in an artistic tailspin for years before his death," wrote The Guardian's Alexis Petridis. "That seems of a piece with the inadvertent message that Michael sends out: try as you might, you can't rewrite history."

What do you think of the new Michael Jackson album? Let us know in the comments!

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