It would be easy to dismiss the fact that Notorious B.I.G. released an album called Life After Death on this day in 1997 (only a few weeks after his own murder) as just a sick coincidence, but in reality it was party of a larger theme for the man born Christopher Wallace. For all of his raps about living large, Biggie was obsessed with death. After all, this is a man who titled his debut album Ready to Die and often rapped about his own funeral. He was constantly aware of his own mortality, and it permeated every inch of his musical persona.

Still, the whole idea of Life After Death hitting store shelves only 16 days after Biggie passed away is more than a little bit haunting. The album cover depicted the MC standing next to an old style hearse, draped in spooky shadows with a ghostly look on his face. Despite the greatness of flashy singles like "Hypnotize" and "Mo Money, Mo Problems," the best songs on the two-disc affair are loaded with dark imagery that vividly portrays the dark side of the gangster lifestyle, including the claustrophobic album opener "Somebody's Gotta Die" and the bracing "You're Nobody (Til Somebody Kills You)."

Tragically, that was Biggie at his best. His biggest hits were about his the high-class pimp lifestyle ("Big Poppa") or love jams ("One More Chance"), but he was never better as a rapper when he tapped into that rare combination of hunger and paranoia that fueled his death-filled fantasies. The Biggie that gave the world "Warning" — that's the Biggie that will live forever in the minds of hip-hop fans everywhere.


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Over the past few days, MTV Newsroom Blog readers helped establish that Eminem's "Love the Way You Lie" is his best collaboration with a female artist (narrowly beating out his team-up with Dido for "Stan") and that his best tag-team with a male singer or rapper is "No Love" (the Lil Wayne-assisted track from Recovery). Though neither of the polls in question are scientific, they do drive home the fact that Recovery is one of the strongest in Eminem's career and one of the best of the year.

Both of those polls have been limited to songs that appear on proper Eminem albums, but as many of the commenters have pointed out, Slim Shady is constantly in demand for collaborations on other albums. So now it's time to open up the poll to all Eminem collaborations. Any time Eminem has been on a song with another artist, its a reasonable track to consider. So after combing through dozens of tracks, here are the nominees for the best Eminem collaboration of all time. (Because they've already won polls of their own, "Love the Way You Lie" and "No Love" have automatically been entered into the poll below.)

Check out the tracks we've chosen, vote in the poll and leave your thoughts in the comments!

"Renegade"
It seems sort of unfair to even include this one because it's so killer. This team-up with Jay-Z (from 2001's The Blueprint) has a killer beat and two of the best rappers alive on top of their respective games. It'll be shocking if this isn't voted number one.

"Forgot About Dre"
When Eminem first hit the scene, much was made about the fact that he could rap really fast. He puts that skill to good use on this pairing with Dr. Dre from 1999's 2001.

"Dead Wrong"
Though the beat leaves a lot to be desired and the context is sort of bittersweet, but it does provide an enticing look into what the Notorious B.I.G.'s arc could have been had he not been tragically killed.

"Go to Sleep"
On this three-way with DMX and Obie Trice, Eminem is all about his unbridled rage. But even as he repeatedly cuts down Ja Rule, he remains poetic and kinetic. Is it any mystery that this song provides the soundtrack to countless compilations of UFC knockouts?

"Forever" (Remix)
It's a testament to Eminem's skills that he is able to stand next to three of the hottest MCs in the world — Lil Wayne, Kanye West and Drake — and still stand out. Though everybody delivers on "Forever," even LeBron James thought Eminem had the best verse.

"Lady"
Obie Trice is one of Em's best foils, and this is one of the pair's sharpest tunes.

"Drop the World"
Though the legacy of Lil Wayne's Rebirth will be questionable, Weezy's team-up with Eminem is pure savagery and grace.

"Airplanes (Part II)"
While the original version (which only featured B.o.B and Paramore singer Hayley Williams) is excellent, the extra Eminem verse at the end turns "Airplanes" from a merely great jam into an instant classic.

"Fight Music"
Eminem's work with D12 always felt a little inconsistent, perhaps because he usually got out of the way and let the other members of his posse shine. But the interplay on "Fight Music" is top shelf and worthy of Slim's best efforts.

"How Come"
Another exceptional posse cut from D12, this sees the entire squad — but especially Eminem — at their most passionate and honest.

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They say a well-rounded education is the key to success, and if that truly is the case, the my schooling is woefully incomplete when it comes to the subject of pop. That's why we bring you "Popology," the guide to modern radio-friendly stars as seen through the eyes of a guy who grew up on punk and metal. In case you missed previous installments, catch up with Britney Spears, Justin Timberlake, Christina Aguilera, Jessica Simpson, Taylor Swift, Miley Cyrus, Justin Bieber and the Spice Girls here.

In this week's installment, Puff Daddy brings rap to the radio.

In today's musical landscape, it's easy to take hip-hop for granted as a force on pop radio. There have been crossover hits as long as there have been DJs cutting up breakbeats and MCs spitting rhymes. And while pop radio readily embraces rap songs that have no aspirations to be pop tunes (the current Billboard chart-topping single is Eminem's "Not Afraid," which barely has a chorus), that wasn't always the case. A crossover hit usually had to have some kind of gimmick, like a wacky guest star or a collaboration with a more established pop star or rock band. But at some point in the '80s, Sean Combs (known now as Diddy, known then as Puff Daddy) decided that the best way to get his songs on the radio was to use actual songs that had already been on the radio. Thus hip-pop was born, and the prodigal son was Puffy's No Way Out.

Released in 1997 in the wake of the death of the Notorious B.I.G. (who haunts the album in the form of a handful of guest spots and one famous tribute), No Way Out was supposed to be Combs' coming out party as a multi-talented force in modern rap music. Originally called Hell Up in Harlem, it was designed for maximum impact for both himself and the rest of his Bad Boy Records roster (including Mase, Faith Hill, Lil' Kim, Black Rob, the LOX and 112). But after Biggie died, it morphed into a much heavier affair, and the tribute "I'll Be Missing You" became the centerpiece. Songs like "What You Gonna Do?" that probably just sounded tough ended up sounding eerie and conflicted because of Biggie's passing.

Despite all that, No Way Out became a gigantic hit, spawning a handful of massive singles that blanketed the radio for the next year. But does it work as a rap album or a pop record?

Actually, yes. Read More...

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This Sunday (March 14), we jump the clocks forward an hour in accordance with Daylight Savings Time. Do you know what that means? It means that this weekend is one hour shorter than it should be. So you have 60 fewer minutes to cram in the trip to your local multiplex to see "Remember Me" and grab a spot on the couch to watch Pearl Jam on "Saturday Night Live." That also means you have one less hour to catch up with all the stories you might have missed this week, including a number of looks at Lady Gaga's new video for "Telephone" and a peek into the budding feud between Justin Bieber and Aziz Ansari's alter-ego "Raaaandy." Check out the rest of the week's top links below.

» Conan O'Brien turned a woman from Michigan into an Internet celebrity with a single click of his mouse, and MTV News talked to her first to get the full story. Then he scheduled a national tour and everybody celebrated all over again.

» "American Idol" soldiered on, whittling the group down to the 12 finalists. Hopefully, we'll be hearing some indie rock covers in the coming weeks.

» Still, if they decide to stick to classic rock, everything should sound as good as Siobhan Magnus' cover of "House of the Rising Sun."

» T.I. debuted a new single this week called "I'm Back," and it's a stunning return to form for the King of the South.

» In legal news, Lil Wayne began his prison sentence. He missed an awful lot during his first day in, and he's sure to miss plenty more.

» Justin Bieber has entered into his first feud (though somewhat unwilling and certainly in jest) with Aziz Ansari's alter-ego "Raaaandy."
Read More...

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By Cristina Ramos

Fans and friends around the world celebrated the life of the Notorious B.I.G on the anniversary of his death on Tuesday (March 9), blasting his music on speakers and pouring into parties and clubs to pay tribute. This was especially true of those Biggie's neck of the woods, which is why Biz Markie's commandeering of the decks at New York City club Greenhouse on Tuesday night for a DJ set dedicated to the fallen legend was so special and intense.

Biz entered the DJ booth at 1:15 a.m., the same time Biggie Smalls was pronounced dead after being shot on that fateful night in Los Angeles. After taking a quick moment of silence with the anxious crowd, he jumped into his set at full speed, playing Biggie classics "Player’s Anthem," "Juicy" and "Warning." A chorus began, with more and more people rapping along to Biggie's colorful lyrics with each new cut. Devoted fans in airbrushed T-shirts featuring Biggie's face weaved their way through the crowd of about 500 enthusiasts rocking their heads back and forth to beats, showing their love as if it were 1997 all over again.

Thanks to the tireless work of friend and producer Diddy, March 9 is recognized among many rap fans as the unofficial "National Hip-Hop Day." After 13 years of celebrating hip-hop's greatest of all time, the fans haven't stopped their ongoing support for B.I.G. and his legendary (albeit small) body of work. They probably won't stop any time soon, so wouldn't it be appropriate to make it an official holiday already?

How did you remember the passing of the Notorious B.I.G. on Tuesday (March 9)? Let us know in the comments!

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"Well, he talks about New York in his work, and it seemed like New York was such an inspiration to him that I thought, I need to go here. Like, it's kind of necessary to experience it."

-"My Life as Liz" star Liz Lee, talking about how late rapper the Notorious B.I.G. inspired her to move from her home in Burleson, Texas to New York City (at least partially). Lee said goodbye to her hometown on Monday night's season finale episode of "My Life as Liz," and she happened to be paying tribute to Biggie Smalls on the sad anniversary of his death (her favorite song is "Juicy," by the way).

It has been quite a transition for Liz, and watching the finale from her new home was an intense experience for her. "To see all of my friends and the look on their faces when I actually left, that was surprising," she said. "It was almost like their support was tangible and visible, and it made me miss them a lot. Seeing the last episode made me kind of sad."

Though the show was an experience she definitely enjoyed, she has no problem with it being over for the time being. "I was actually kind of relieved after the season finale, 'cause you know, you work so hard for so long to have this final product, you're kind of relieved," she said. "Then there's that feeling of sadness, 'cause it's over, and it was a really fun ride. It's an amazing feeling."

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There are a handful of events that hip-hop fans will always remember, like the first time they heard Fear of a Black Planet, the day they saw the premiere of Tupac's "California Love" video or the fact that Jay-Z's The Blueprint came out on September 11, 2001. March 9 is one of those days, as it will forever be remembered as the day that Notorious B.I.G. (also known as Biggie Smalls and as his birth name Christopher Wallace) died after being gunned down in Los Angeles.

Biggie and his crew had just left a party following the Soul Train Awards and were stopped at a traffic light when another car pulled up next to them and opened fire on Biggie's vehicle. Since he was in the passenger seat, Biggie took the brunt of the shots that ultimately lead to his death. The execution was eerily similar to the shooting death of rival Tupac in Las Vegas some six months earlier, and many speculated at the time that Biggie's death was the final straw of the East Coast/West Coast feud between Bad Boy Records and Death Row Records. Despite the number of eyewitnesses, Biggie's murder remains unsolved.

In a macabre twist of fate, the Notorious B.I.G.'s death came only a handful of days before the release of his second album, which was already set to be called Life After Death. Though he only released a single collection while he was still alive (1994's game-changing Ready to Die), Biggie's legacy as one of the best MCs to ever rhyme words with a beat is set in stone. Unlike Tupac, Biggie didn't leave behind a wealth of material, and the posthumous albums collecting B.I.G.'s freestyles and demo recordings have ranged from middling to downright blasphemous. Still, there's "Dead Wrong," the imagined team-up with Eminem that appeared on Life After Death. It's a reasonable horrorcore tune, but the video is the real treat, full of behind-the-scenes clips of a genius at work and at play. Christopher Wallace was only 24 years old when he died, but the Notorious B.I.G. will live forever.

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With all the buzz surrounding the release of Rebirth, the mad quest to record songs before going to prison and his Twitter and Ustream habits, the biggest music-related Lil Wayne news has gotten swept under the rug a bit. That would be the release of We Are Young Money, the posse album that dropped just before the end of 2009 that secretly contains some of the best Weezy-blessed work of the past 12 months.

The album, which features contributions from Wayne, Drake, Nicki Minaj, Mack Maine, Gudda Gudda, Tyga, Lil Twist and Jae Millz. The two singles ("Every Girl," which peaked at 10 on the Billboard Hot 100, and "BedRock") were both heaters that had some great work from everybody (but especially Nicki Minaj, who is becoming the crew's most potent weapon). There's also some top-shelf production care of Cool & Dre, Kane Beatz and Tha Bizness, making it a wall-to-wall success.

In fact, the greatness of We Are Young Money begs the question: Is it the best posse album of all time?

It has happened dozens of times before: An MC blows up and brings along his (usually far less talented) crew along for a group album (or an excuse to spend money in the studio). For every We Are Young Money, there are a dozen records from the likes of the St. Lunatics (that was Nelly's crew, which included titans like Murphy Lee and City Spud). But there are a handful of records that are on par with (and occasionally above) the work of the group's alpha dog. Check out our picks below and vote in the poll.

Flipmode Squad, The Imperial
Busta Rhymes' recording career has been pretty spotty (outside of the true classic When Disaster Strikes), but the one album he cut with his crew is a model of quality and consistency. Alongside Busta, Squad members Rampage, Lord Have Mercy, Rah Digga, Spliff Star and Baby Sham spun together rugged rhymes and catchy choruses for an incredible brew (especially on the singles "Everybody on the Line Outside" and "Cha Cha Cha"). Some of the Flipmode members even went on to put out excellent solo work (like Rah Digga's Dirty Harriet).

G-Unit, Beg For Mercy
Think what you want about 50 Cent, but the first album he put together with his G-Unit crew is an intense, sometimes brutal but always impressive piece of gangsta pop. Read More...

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On Wednesday (February 10), the MTV Newsroom blog celebrated the anniversary of the release of The College Dropout, the watershed debut from Kanye West. It generated quite a bit of discussion here in the Newsroom and among the followers of MTV News on Twitter, mostly surrounding a key question: Is The College Dropout the best debut album of all time?

It's a distinct possibility. Obviously West made a big commercial smash on the back of hits like "All Falls Down" and "Slow Jamz," and The College Dropout was almost universally adored by critics (it has a Metascore of 88, which suggests "Universal Acclaim"). But the thing that makes the album truly remarkable is how completely it presents both West's sound and his point of view. He arrived fully formed and made an immediate impact because of it.

Of course, there are plenty of other candidates for the prize. Here are a handful of other nominees that deliver in the same way that The College Dropout did.

The Notorious B.I.G., Ready to Die
Like West, Biggie Smalls arrived on the scene already fully-formed. The man born Christopher Wallace had a clear point of view that he was able to deliver in a distinct way. When you add in the best production that Diddy has ever done, you get a total package that ranks up there with the best hip-hop records in history.

Oasis, Definitely Maybe
As the rest of their career has taught us, Liam and Noel Gallagher are only really good at one thing, but on Definitely Maybe, they did that one thing better than anybody ever had before. Big, loud, heavily melodic and decidedly English, Definitely Maybe basically 11 singles, as every single one sounds great when cranked up on the radio.

The Jimi Hendrix Experience, Are You Experienced?
For a guy who experimented as much as Hendrix did, his first (and best) album is an incredibly confident work. Read More...

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Mr. Magic

By Jayson Rodriguez

"Every Saturday 'Rap Attack,' Mr. Magic, Marley Marl ..." — Notorious B.I.G., "Juicy"

Biggie immortalized him in rhyme, but by the time the Brooklyn MC name-checked Mr. Magic on 1994's Ready to Die, the DJ was already a living legend. It was confirmed today that Mr. Magic passed away after suffering a heart attack. (At press time it was unknown how old he was.)

Magic, born John Rivas, was a pioneer in hip-hop and made his mark as the first DJ to host a mixshow hour on commercial radio, which was revolutionary in the early 1980s but as common as a rap CD with a "Parental Advisory" sticker on it today. Back in 1982 when Mr. Magic, along with Marley Marl as his DJ and Tyrone "Fly Ty" Williams as co-producer, kick-started "Rap Attack," the program's launch was arguably as significant to music history as when the Moonman planted the MTV flag in outer space.

"Rap Attack" was a cultural touchstone fondly remembered by countless rappers, breakdancers, journalists and fans who were transfixed by the early sounds of hip-hop transmitted through their speakers by Mr. Magic.

Aside from the musical nods ("Juicy" and Whodini's "Magic's Wand"), Magic was also known for his part in the watershed battle between the Juice Crew — founded by Marley Marl and featuring Big Daddy Kane, Craig G. and Kool G Rap — and KRS-One's Boogie Down Productions.
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