In last week's premiere, the cast of "Jersey Shore" returned to Seaside Heights after their season four excursion to Florence, Italy, and got right back to it, fist-pumping the night away and GTL-ing all day long. But last night's second episode was a tumultuous one – Vinny left the house because "he had to go home to recharge," which was particularly hard on his best bro, Pauly D.

So what's a happy-go-lucky guido like Pauly D to do when the going gets tough? Turn to comforting things, of course, and for Pauly D that means the tanning bed. But there was one big problem and it's one those of us with fairer skin than the "Shore" crew can relate to – a little too much sun (or bulb) exposure can leave you feeling pretty raw!

"I got no tan in Italy so I got a little excited," Pauly said of his return to Jersey. "I went tanning in Jersey, went tanning, went tanning, went tanning, went tanning. I burnt my whole face off."

Pauly's pain was our gain and it translated into one of our favorite moments from last night's show.

This is definitely a "Pauly D problem" and we've remixed it for you below. Enjoy!

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By Akshay Bhansali

Well not literally, of course.

For those not in the know, R3hab is an explosive new Dutch electro house DJ-producer on the EDM scene who is known in the dance world for a "chainsaw" sound. His remix for Katy Perry's hit “The One That Got Away,” puts her in great company: Rihanna, David Guetta, Tiësto and Alesso & Sebastian Ingrosso have all recently had big tunes R3hab’ed. He was kind enough to share a preview of the song with his buddies at MTV News. Take a listen…

When MTV News caught up with R3hab, born Fadil El Ghoul, he was pretty psyched about the way the banger came out.

“I tried to give it a full ‘R3hab.’ It was a very cool job to do because the original had a faster bpm. Like 134 bpm. So I had to slow it down a little. The original record has a little bit of a country feel to it. Drummy. Rocky. Not sounding big, but very beautiful," he says. "And I tried to make it sound more big. I think it worked out great. Took me a long time to get there, but it was worth it.”

No word yet on when the song will be available for purchase, but you can stream the entire track over at R3hab’s soundcloud.

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Though strongly counseled against it, I will admit here and now that I don't believe I've ever consciously sat down and listened to Pearl Jam's debut album, Ten, from beginning to end.

It's not that I don't like PJ — in fact, they've grown to be one of my favorite live bands over the past decade or so. But before I started writing about music for a living, I was much more regimented about my listening habits. I'd devour everything I could, but for some reason PJ's music just didn't grab me back in my Nirvana-centric days.

Which is why listening to the remixed reissue of Ten that hits stores Tuesday (March 24) is something of a revelation. I've been spinning it almost exclusively for the past few weeks and each time I give a song like "Once" or the ominously alluring "Garden" another try, I'm newly blown away at their power, punch and the intensity of singer Eddie Vedder's voice. I'm not telling anyone who's already a big fan anything new, but even if you've listened 1,000 times, the crispness of these tracks is like someone grabbing you from the back row and pushing you up to the sweaty pit, pulling your ear plugs out and shoving you up against the speaker as the seasick guitars start swaying crazily during "Deep."

Of course "Even Flow," "Alive" and "Jeremy" still pack a wallop — and the band continues to tear into them like they're brand new in concert to this day — but these other songs, the ones I hadn't really investigated fully before ... wow.

The remixed songs crackle with a jazzy, swinging energy I began to remember from the time I saw PJ play in a dumpy little off-campus bar in Madison, Wisconsin — called the R&R Station — in March 1992. Mike McCready's feral guitar playing on "Why Go," all coiled energy and chicken scratching bursts of ominous noise; bassist Jeff Ament's finger popping, deep funk bass and Vedder's dog snarl bellow of "Why go home!" are like my own personal discovery of a 12-million selling Rosetta Stone my friends have been trying to tell me about for more than 15 years.

Listening to the undulating, Jane's Addiction-like "Oceans" now, you can clearly see the through line to Vedder's pastoral solo soundtrack to "Into the Wild," which makes all the bizarre twists and turns the band has taken between then and now even more fascinating. The set has been remixed by producer Brendan O'Brien, who didn't work on PJ's debut, but helmed their next four albums and, for a while, was practically a sixth member of the group.

The band are also offering up all the master tracks from Ten for download at the "Rock Band" music store for use on Xbox 360 and PS3. And, if you dare, drummer Matt Cameron is playing "Rock Band 2" with Xbox Live Gold members on March 27 at 7 p.m. EST.

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