This evening, the college football season will come to a close at the conclusion of the BCS National Championship Game, the contest that will decide who is the best team among the handful of schools allowed to participate in a broken system.

But like it or not, either Alabama or Texas will be able to raise their collective fists and be called the last team standing. Despite the fact that we have a number of hardcore Florida Gators fans in the MTV Newsroom (including the people behind Hollywood Crush and Splash Page), we don't know a whole lot about college football. But what we do know is music, which is why we think we know exactly who is going to take the title.

Tonight isn't just about two football teams — it's about two bands that have never waged war before but really, really should. We're talking about country-rock legends Alabama and Scottish future-poppers Texas. Let's look at the tale of the tape.

Alabama
From: Alabama (duh)
Best Known For: Putting out a ton of albums and selling over 73 million copies over a 30-plus year career.
Best Identified By: All-business beards and general lack of sleeves.
Are They Difficult To Google? Not really. They wisely named their official Web site "thealabamaband.com."
Football Playing Ability: Likely high. Despite his age, lead singer Randy Owen is a pretty rugged-looking dude.
Key Video: "Touch Me When We're Dancing"

Texas Read More...

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The state of Texas has given the United States plenty to be excited for, including Dallas barbecue, the inspirations for "Friday Night Lights" and "Varsity Blues," UGK, Lone Star beer and the old Houston Oilers. (For the time being, we'll ignore the states lesser exports, like the Bush family and an upsetting obsession with firearms.) But before Texans could give back to the United States, they had to join the Union first, which they did on this day in 1845.

The Republic of Texas declared their independence from Mexico in 1836 following a bloody conflict. General Sam Houston, who lead the Texans to victory at San Jacinto, was elected president of the newly independent republic, but the citizens also supported entrance into the United States. So why did nearly a decade elapse before the deal was made? Texas remained a slave state, and though slavery remained a fixture in the United States (the 13th Amendment, which outlaws slavery, wouldn't be ratified until the close of the Civil War in 1865), Congress was reticent to admit new states that still held fast to slavery.

Despite the fact that Texas had declared its independence, Mexico still considered Texas its property, and once the U.S. annexed the area and made it into a state, the country launched the Mexican-American War, a bloody two year conflict that spread all over the southwestern U.S. and Mexico.

Texas has given the country some incredible hip-hop music (Chamillionaire, Slim Thug, Scarface and Bun B all call the Lone Star State home), but its greatest musical export remains ZZ Top.

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By Kathleen Newman-Bremang and Melanie Wolfson

Most interns fetch coffee, file papers and do other mindless tasks, but here at MTV News, we have to be up for just about anything. Today, that meant dancing in front of a green screen. That's right — we were asked (read: forced) to break it down "stanky leg"-style in order to bring Dallas dance moves to the masses.

We kicked off our shoes and jumped in front of the camera as part of a video that imitates dances from the Dallas scene. We're not sure which dance was more embarrassing: the "stanky leg" or the "Ricky Bobby." Both involve moves we never thought we'd be making when we came into work today.


We thought we'd share our experience, because it was just too ridiculous to keep to ourselves. Dancing around like you're in an iPod commercial sounds like fun, right? Try terrifying. Read More...

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Our Saturday recap is up and bursting with raves about Jim James, Robyn and Kate Nash, but you can also check out more detailed accounts at the You R Here blog. What happened yesterday? Well...

· Comeback-making pop singer
Robyn wowed Perez Hilton's party with glitchy electro-beats and profane lyrics

· Young British songstress Kate Nash overcame marble floors and obnoxious concertgoers

· Jim James and M. Ward got reverent at an intimate concert held in a church

· The Night Marchers rocked in the daylight at Waterloo Park

· Grand Ole Party drummed up some new fans at the Mess With Texas fest

· Black Tide rolled into Red Seven with waves of hair and metal riffs

· Foxy Shazam bled onstage at Emo's and delivered a fabulously unsexy pole dance

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We've been subjecting a variety of artists to our 5X5 @ SWSX interrogation down here in Austin this week, and one of the most interesting answers so far comes from Pharrell Williams. Not only did he say he thought he heard some accordion in Vampire Weekend's music, but he came up with his own label for the style that the band itself calls "Upper West Side Soweto." Take a look.

Read More...

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Every year South by Southwest is like a big Lone Star and pulled-pork trough filled with bands to discover and write about. But it’s also the place where those of us who don’t live on a coast can go to find out what the hipsters are wearing and what we should start looking for at our local Salvation Army. Last year it was the throwback moon boot. The year before brought the onslaught of the painted-on boy jeans.

This year’s must-have accessory, for boys and girls? The headband. Whether it’s bejeweled, a bright orange, gold braid or just plain old sweat, the headband is what all the cool kids are rocking this year.

Check back with the Newsroom blog throughout SXSW for more highlights, and be sure to visit our sister blog You R Here for concert reviews, photos and more.

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We’ve said it before, people, but it bears repeating. Along with your sound, the second most important thing any band has to do, maybe even more important than your sound in the beginning, is choose a name that’s either: a) instantly cool and/or intriguing (Nirvana, Radiohead) or so lame it’s back to being great again (Weezer, Panic at the Disco).

Clearly, many of the bands who played showcases Friday night at South by Southwest didn’t get this memo. Among them: Vancougar, Coconut Coolouts, the Show Is a Rainbow, Mittens on Strings, We Versus the Shark, Everlovely Lightningheart, Psychedelic Horses---, the Homosexuals, the Crash That Took Me, and Goat the Head.

Honorary mentions go to other bands playing the festival, including What Laura Says, Thinks and Feels, 43 Songs about 43 Presidencies, Songs for Moms, Til We’re Blue or Destroy, Ringo Deathstarr, Gorch Fock, Woodpigeon, Uh Huh Her, Death Sentence: Panda!, Collections of Colonies of Bees, I Was a Cub Scout, Does It Offend You, Yeah? and one of my favorites, DJ Pube$.

Then, there’s the names that guarantee that the band will probably never make it beyond SXSW, but we appreciate their creativity and we applaud their awesome, if scary, imaginations: A Thousand Knives of Fire, Dixie Witch, Tennessee Boltsmokers and Bible of the Devil.

Check back with the Newsroom blog throughout SXSW for more highlights, and be sure to visit our sister blog You R Here for concert reviews, photos and more.

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There is a long-running joke in the industry about so-called "hip-hop time," which basically means that if you have an interview scheduled with a rapper, it will never, ever start on time.

So, not surprisingly, when MTV super-producer Andrew Millard and I arrived at the Austin Convention Center for our 12:45 chat with the legendary Ice Cube, who's headlining a showcase tonight, we knew we'd have some time to kill. After all, Cube is one of the guys who practically invented "hip-hop time" (and gangsta rap too). But little did we know that we'd be killing that time in a sparse "dressing room," which was little more than a giant bathroom with some potted plants thrown in for good measure.

So we waited. We rearranged the potted plants. We adjusted the camera. And then we readjusted it. Finally, at roughly 1:30 p.m., Cube himself strode into the room, laughed at a joke we made about the place looking like a florist's bathroom, threw on the microphone and got down to business.

We spoke about his politically charged new album, Raw Footage, about George W. Bush and the war in Iraq, and even about his experiences at South by Southwest (he checked out the Clipse and Kid Sister, and marveled "at some band that set up in a parking lot and started playing next to our car"). We also put him through our 5X5 @ SXSW questions:


We only got about 10 minutes before his publicist told us he had to go, but the wait was totally worth it. And as he left the room, he forgot to unhook his mic, and his motion sent the whole thing tumbling to the linoleum floor. Cube stopped, laughed for a second, and exited the room by saying, "Damn, that's the only mic I ever dropped. "

We told you the dude was a legend.

Check in with the Newsroom blog throughout SXSW for more highlights, and be sure to visit our sister blog You R Here for concert reviews, photos and more.

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Our Friday recap is up and bursting with raves about Paramore, N.E.R.D. and Working for a Nuclear Free City, but you can also check out more detailed accounts at the You R Here blog. What happened yesterday? Well...

· The Clipse delivered a hit-packed performance that showed why they've won the love of the indie-rock kids

· N.E.R.D. whipped up a punk-funk frenzy that proved that Pharrell's as comfortable onstage as he is in the studio

· Paramore squashed rumors of a breakup and put on a high-energy show for a crowd of mostly local teenage scene kids

· Manchester's Working for a Nuclear Free City made a musical shake by putting hometown heroes Happy Mondays, the Stone Roses and Kasabian in a virtual blender

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So it's Friday night in Austin, you're three days into a total indulgence of bands, booze and music. You've seen Yeasayer or some other hipster band four times already, you've memorized Santogold's set, you've had too much beer at the Blender magazine building, and some weird guy is trying to coax you to his friend's band's 2 a.m. performance with free burgers. It's the end of the night and you're just looking for something ... different.

Well, tonight was different. A free show by two great bands, No Age and F***** Up, on a pedestrian walkway bridge about two miles away from where the rest of SXSW is happening, at 3 a.m. (THREE A. M.!), under the cover of darkness. These are the things that happen when determined hipsters coagulate into a critical mass of creative thinking. Most of the kids made the trek by foot, rather than cab, thugging it out for short-but-sweet sets by the two bands, amongst a cavalcade of dedicated music-lovers not quite ready to call it a night. Sightlines were poor but the music was great. Mostly, we just love that something this ... illicit ... can still happen at such a major music festival in a big city. Above, a picture of the crowd (um, like we said, the sightlines were POOR).

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