Baltimore, Maryland has a lot of nicknames. B-More. Charm City. The City That Reads. Bodymore, Murderland. Monument City. The lively city has given the world Baltimore club music, former Vice President Spiro Agnew, David Byrne, Parker Posey, Pulitzer Prize-winning author Upton Sinclair and filmmaker John Waters, and it was officially established on this day in 1729. Perhaps the city's greatest cultural contribution (in this millennium, anyway) was providing a setting and inspiration for "The Wire," the shockingly gritty and realistic HBO series that portrayed the struggle between law enforcement, government and the drug lords who threaten everyday life. It was an incredibly complex, subtle show that built a remarkably deep tapestry of characters and locations that reflected Baltimore better than any piece of fiction has ever depicted a city (for better or worse, of course).

"The Wire" also contributed to the music world, relying a great deal on local musicians and rappers to provide the soundtrack for the show. It also employed a handful of people from the music world, including Felicia "Snoop" Pearson (who played a vaguely fictionalized version of herself) and the Wu-Tang Clan's own Method Man. Meth spent four seasons on the show as Melvin Wagstaff, Prop Joe's nephew who was known on the streets as "Cheese." It was the best performance in an excellent acting career for the rapper, who has also made memorable turns on HBO's "Oz," "CSI" and the Zach Braff film "Garden State." It's no wonder that Meth ended up being an excellent actor, as his rhymes have always been some of the most cinematic and character-driven in the entire Clan. Need proof? Check out his 1995 collaboration with Mary J. Blige "I'll Be There For You/ You're All I Need to Get By."

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Every time Emmy nominations are announced, you hear about the snubs. You know, who should have made the list but got cut instead. So we decided it was time to take control of the Emmy nods, which were announced earlier today (check out all the nominees here).

Not that we can actually take control, but we like to imagine we can. So if it were up to MTV News, who would be in the running? And what about loosening up some of the categories a bit and adding some extra awards? We polled ourselves, and here are our choices for the standard categories and some new ones:

Reality

We agree that "American Idol" and "Project Runway" are worthy, but what about "America's Best Dance Crew"? Or "The Paper"?

Best Reality Host: Mario Lopez ("America's Best Dance Crew"), Cat Deeley ("So You Think You Can Dance") and Tim Gunn ("Tim Gunn's Guide to Style")

Best WTF Moment in Reality: Spencer turns the apartment into a graffiti-covered arcade on "The Hills"; Tila Tequila is passed around in the hot tub by the final contestants' parents and stepparents; and Chris makes clothes out of human hair on "Project Runway"

Best Reality Fight: Dale vs. Lisa vs. Spike vs. Antonia vs. Jen on "Top Chef"

Least Necessary Comeback of a Reality Character: Janelle ("Real World: Hollywood")

Best Offscreen Performance By a Reality Star: Quinton "Rampage" Jackson ("Ultimate Fighter"). Two run-ins with police in 24 hours this week gave him a late surge at the polls, allowing him to overtake David Hasselhoff, Danny Bonaduce and both Coreys.
Read More...

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Pete Wentz· Ashlee Simpson has apparently read the manual of celebrity pregnancy clichés: On Ryan Seacrest's KIIS-FM show Thursday morning, Pete Wentz said his new wife craves green olives "on everything." But we do like Wentz's rather original metaphor for his impending fatherhood: "It's like making a record, but knowing you're going to mix it for the next 18 years of your life."

· With his 50th birthday looming near, and photographs of himself being transported via wheelchair making the rounds, Michael Jackson is no doubt feeling nostalgic for the '90s. That explains why he reportedly met with the reunited New Kids on the Block last week to discuss collaborating on his upcoming album. Read More...

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There are a few surreal things about the remake/spin-off/whatever of "90201," set to hit the venerable CW this fall: 1) it has been produced; 2) it stars Lucille from "Arrested Development" as the tipsy-but-wealthy grandma; and 3) we repeat, it has been produced.

Oh, wait -- there's more. And here's the point of this post:

The new series stars Tristan Wilds from "The Wire" as one of the Beverly Hills crew. Yeah, that's right: the kid from "The Wire".

How is this possible? What the heck kind of nightmare of a career misstep is this? Wilds goes from playing a breakout role in THE GREATEST TELEVISION SERIES OF ALL TIME (admit it: "The Sopranos" trailed off, and you know it), and he parlays that into playing a brat on a remake of a teen soap that was kind of major for the 90s generation? Oof. Who's his agent? And will be receiving counseling from Jennie Garth...?

Check out the terrifying season promo above.

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After all the ruckus -- the false allegations, the apologies, the hemming and hawing, and finally the retraction -- Pulitzer Prize-winning Los Angeles Times journalist Chuck Philips will be keeping his job. Hmm.

So after a story accuses Diddy and Biggie of abetting Tupac's murder -- basically hanging one of hip-hop's most infamous slayings on two of its biggest stars -- the journalist responsible is still in business. Never mind that he took his cues from known forger James Sabatino, who's currently in prison.

Then again, these old-school publications are known for firing people the old-fashioned way: moving you to the grandpa beat. Like when they gave McNulty boat duty on “The Wire.” Maybe Phillips is headed for the water?

Actually, speaking of “The Wire,” doesn't this remind you a bit of the final season -- that kid at The Baltimore Sun...?

While Philips defended his methods to MTV News, it seems as if further investigation is called for. After all, as Smoking Gun editor William Bastone pointed out, “In the recent history of journalism, when stories go really bad, the publication often does an explanation of how it happened…I’d like to know: How did [Sabatino] pull this off from behind bars?”

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A lot can be said about the disabilities of this fifth season of "The Wire": a season that was oddly plot-driven versus previous seasons' character-driven narratives; Creator David Simon's caricature's of the newsroom brass (which always reminded us of some of Spike Lee's worst); that totally disproportionate homeless serial killer plot-line; Editor Gus' walk-on-water persona that was so unlike the rest of the great, textured characters Simon had invented before. Oh Season 5, you might have been the weakest link in the chain.

But let it be said that even at its most fallible, "The Wire" was the best dramatic show on television. It was skillfully, artfully pursued, season after season, with tremendous actors and an unparalleled defiance of most television conventions. It also was the most real thing you'll ever see. The grit and hopelessness of the inner city, the chess moves that come with "the game," Simon's ability to show sympathy for the bad guys -- it all resonated with a loyal audience weened on graphic street rhymes and larger-than-life personas (um, that means you).

There's a range of stuff on the internets about the show and the final episode, for the hard-core fanatics. Later today, on mtvnews.com, we'll have an update on all the projects "The Wire" cast are currently working on, plus an interview with Wendell Pierce, who plays the sublime detective, Bunk.

In the meantime, pour one out for your favorite show. Bmore all day.

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Some of the folks in the Newsroom wait up 'til round midnight Sundays to catch the next week's episode of The Wire, On Demand. But then there's a contingent of folks who wait 'til Monday, maybe Tuesday, sometimes even Wednesday to watch. And it creates this unbelievable tension around here about who can say what when, who might be in earshot, . Like yesterday we were getting into that whole, "Yo, [redacted] getting shot was waaaaay crazier than Omar being bodied!," and one of the writers ran crying into the next room. (Pour one out for [redacted], btw).

Well, next week, there will be no tension. HBO sent out a press release saying Season 5 / Episode 10, the final episode of The Wire forever-ever, will NOT BE AVAILABLE ON DEMAND this week. You're gonna have to watch it with all the common folk, Sunday March 9th (9pm).

Also, if you haven't read Shaheem Reid's piece on Omar actor Michael K. Williams (who also makes a cameo in Style P's new video), then you're sleeeeping.

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